Audio Esoterica Issue 1 2019

PMC’s new Fact Series Fenestria loudspeaker is a six-driver, three-way design that uses four 165mm carbon-fibre flat-diaphragm bass drivers, a 75mm dome midrange driver and a 19.5mm Sonoflex-domed tweeter, all designed from the ground up for use in this flagship $89,999 pair of speakers. For vibration management they use a ‘mass-damper’ vibration cancellation technology taken from the science of skyscraper contruction — sky-high high-end! More information: interdyn.com.au…

The Colibri XGW Signature Stradivarius is van den Hul’s latest flagship phono cartridge, priced at $10,499, made from cross-grained Brazilian Pau wood (a high density wood often used in instrument bows), coated with a ‘Stradivarius’ lacquer, named after the famous violin maker, and fitted with a solid boron cantilever tipped with a proprietary Type 1s, 2×85μm stylus. Each one is hand-built to order by A.J. van den Hul personally, and the build process can even be tailored according to the user’s preference. For more information: audioactive.com.au…

The McIntosh MA252 integrated amplifier is the first hybrid integrated amplifier this world-famous American company has ever built. That’s an important statement given that McIntosh has been building amplifiers for 60 years. So the McIntosh MA252 has been 60 years coming… was it worth the wait? But first, what is a hybrid integrated amplifier? Basically it’s a component where one of the two amplifying stages uses valves — or ‘tubes’ as our US friends like to call them — to amplify the audio signal, while the other amplifier stage uses transistors. Any integrated amplifier has two amplifying stages — usually called the ‘pre’ and ‘power’ stages — so this means there are two ways to build a hybrid audio amplifier. One way is to use valves for the ‘pre’ section and…

Generational change occurs in technology, as it does in populations. Linn, once described as “Scotland’s only leading cool brand”, provides examples of both. The company’s founder, Ivor Tiefenbrun, leveraged his father’s precision engineering company to set Linn in motion with a precision-designed turntable notable for a new patented point bearing. And with it, he began the conversion of the hi-fi world to the crucial concept that the quality of the source in an audio system is critical to the system’s overall quality. This ‘source-first’ philosophy sounds smackyourself-in-the-face obvious today, but was most definitely not the mode of thought back in 1973 (see Linn, The Origin Story, p30-31). Thirty years later, another change in the generations saw Ivor’s son Gilad Tiefenbrun taking the reins as Linn’s Managing Director in 2009, having previously…

The Colibri XGW Signature Stradivarius is van den Hul’s latest flagship phono cartridge, priced at $10,499, made from cross-grained Brazilian Pau wood (a high density wood often used in instrument bows), coated with a ‘Stradivarius’ lacquer, named after the famous violin maker, and fitted with a solid boron cantilever tipped with a proprietary Type 1s, 2×85μm stylus. Each one is hand-built to order by A.J. van den Hul personally, and the build process can even be tailored according to the user’s preference. For more information: audioactive.com.au…

“the spindle is rotatably mounted in the sleeve, and a plate in said sleeve, the spindle being formed with a bearing portion which has point contact with said plate to support said spindle…” It’s hard to believe today, but in the early days of hi-fi, there was little recognition of the ‘garbage in, garbage out’ philosophy. The signal was the signal, amplifiers just made it bigger, and it was your loudspeakers that made all the difference between good sound and bad sound. No matter that the art of LP reproduction had remained substantially unchanged since 1948 when Peter Goldmark, head of research at CBS-Columbia in the US, had delivered a lightweight tone-arm and sapphire needle to play his new 12-inch 33⅓rpm vinylite LP with microgrooves (the 45rpm 7-incher arrived the following…