Editor’s Note
BACK IN THE GOOD OLD DAYS, SEVEN or eight months ago, a typical magazine food shoot involved a veritable army of professionals. The magazine’s art director, photo director, and at least one editor were usually on set with the photographer, a food stylist, and a prop stylist—all three of whom might’ve brought assistants. Shooting in a studio? Then, you’ve got the studio’s staffon hand too. Start contact-tracing that scenario, including prep days spent at prop houses and specialty grocers, and the danger becomes clear. Sending a crew around the world to shoot on location? Forget about it. So how, exactly, does one make a global food magazine amid a global pandemic? Very, very locally, and involving as few people as possible. When we began work on this issue in May, I…