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category_outlined / Tech et Jeux Vidéo
Australian HiFiAustralian HiFi

Australian HiFi

July - August 2019

Australian HiFi is the definitive magazine for discerning listeners and Hi-Fi enthusiasts. Every issue is packed with equipment and music reviews, new product information and ‘how-to’ articles. Australian Hi-Fi magazine is dedicated to helping you find the best quality sound for your home.

Pays:
Australia
Langue:
English
Éditeur:
Nextmedia Pty Ltd
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J'ACHÈTE CE NUMÉRO
3,87 $(TVA Incluse)
JE M'ABONNE
20,74 $(TVA Incluse)
7 Numéros

DANS CE NUMÉRO

access_time3 min.
who’s talking… and who’s listening?

According to The Guardian newspaper, within two years there will be more voice assistants on the Internet than there are people on the planet. This is particularly relevant to the world of audio now that more hi-fi components are integrating voice assistants, but you don’t have to look very far to find hi-fi amplifiers, receivers, soundbars, and streamers that have voice technology on board (most recently and most famously, Sonos). But hi-fi is a niche market, with mostly smaller players involved in design, manufacture and distribution, and I am not sure that they’re necessarily up to speed on the psychology of voice assistance. Incorporating voice assistance on hi-fi equipment seems like a good idea, but could it backfire? It certainly backfired on car manufacturer BMW, which found that sales of one…

access_time1 min.
australia hifi

Editor: Greg Borrowman hifi@nextmedia.com.au Art Director: Kristian Hagen Managing Editor: Jez Ford Photography: Oliver Delprado Contributors: Carolyn Cannon, Lesley Swan, Jutta Dziwnik, Nada Grkinic, Steve Holding, Madeleine Ella, John Shand, Jez Ford, Karyn Brown, Val Barbour, Whendi Walkley, Tina White. Advertising Sales: Lewis Preece 0434 439 032 Advertising Liaison: Diane Preece dpreece@nextmedia.com.au Divisional Manager & National Sales Manager: Jim Preece 0400 808 900 Production Manager: Peter Ryman Circulation Director: Carole Jones Executive Chairman: David Gardiner Managing Director: Hamish Bayliss…

access_time28 min.
soundbites

PARASOUND XRM PHONO PREAMPLIFIER Parasound’s new $1,199 Zphono XRM phono preamplifier bridges the price gap between its entry-level Zphono ($399) and its award-winning Halo JC 3 Jr, which retails for $2,995. The new Zphono XRM includes balanced XLR outputs, a switchable rumble filter, a mono/stereo switch, plus a continuously variable load adjustment for moving-coil cartridges that allows adjustment between 50 and 1050 . Separate input jacks and independent circuits for MC and MM cartridges mean that you can use dual turntables, each fitted with a different cartridge. ‘Our current Zphono is the ideal product for entry-level vinyl lovers,’ said Richard Schram, of Parasound. ‘We’ve noticed the fast-growing popularity of more expensive turntables and increasingly high-performance MM and MC cartridges. With the Zphono XRM’s adjustable load impedance knob (rather than DIP switches) MC…

access_time17 min.
dynaudio evoke 50 loudspeakers

Great news! Dynaudio has trickled down one of the technologies it uses in its high-end loudspeakers to a totally affordable model. The ‘Hexis’ geometry Dynaudio developed specially for its Esotar3 tweeter—as used on the company’s Confidence range—is now fitted to the latest Dynaudio Evoke 50. THE EQUIPMENT It isn’t the exact same tweeter, of course, but the most important design element is the same, which is that the 28mm fabric dome sits just on top of a hidden ‘inner dome’ in a geometry that Dynaudio calls a ‘Hexis’— and if you look carefully at the fabric dome, you can just see the dimpled surface of the sub-dome underneath. According to the Alex Newman, one of the acoustic designers responsible for the Evoke series, the second dome enables better control of air pressure…

access_time6 min.
laboratory test report

Newport Test Labs measured the Dynaudio Evoke 50 loudspeakers using its standard test procedures. Graph 1 shows a frequency response that was obtained using two different techniques. The section of the trace below 900Hz is the averaged result of nine individual frequency sweeps measured at a distance of three metres, with the central grid point of the microphone on-axis with the tweeter, so one measurement is made with the mic aimed directly at the tweeter, another with the mic higher, another with it lower, another with it off to one side, another with it off to the other, and so on, until nine traces have been acquired, after which they’re averaged via post-processing. The section of the trace above 900Hz is the gated high-frequency response of the speaker, without the…

access_time9 min.
yamaha cd-s300 cd/usb player

You can blame my Nana for this review. She’s 89 but she’s still as sharp as a tack. She’s lost grandpa, but she hasn’t lost her hearing… or her enjoyment of music. But she hasn’t been listening to much music lately, because her CD player carked it and she figured that her grandson, the hi-fi reviewer, was the obvious person to advise her about getting a new one. I started off by suggesting that technology had moved on a bit, and there were better, more convenient ways she could listen to music. She cut me off at the pass before I could get too far down that track. ‘My CDs have sentimental value for me,’ she said. ‘They remind me of the concerts Dan and I went to when he was…

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