• Art et Architecture
  • Aviation et Bateau
  • Business et Finance
  • Auto et Moto
  • Presse people
  • Comics & Manga
  • Artisanat
  • Culture et Littérature
  • Famille et Éducation
  • Mode
  • Cuisine et Vin
  • Forme et Santé
  • Maison et Jardin
  • Chasse et Pêche
  • Jeunesse
  • Luxe
  • Presse Masculine
  • Film, Télé et Musique
  • Actualité et politiques
  • Photographie
  • Science
  • Sports
  • Tech et Jeux Vidéo
  • Voyages et Plein air
  • Presse Feminine
  • Adulte
 / Photographie
Photography WeekPhotography Week

Photography Week No. 370

The world's best-selling digital photography magazine, Photography Week is the ultimate resource for anyone who wants to improve their photography. Every issue we bring you inspirational images, creative ideas, must-try photo projects and in-depth video reviews, plus no-nonsense practical advice on how to get the best from your camera, so you can capture and edit images you can be proud of. Designed specifically for mobile devices, each issue features reader galleries, how-to articles and step-by-step videos that will help you become a better photographer. It's your one-stop shop for all things photographic.

United Kingdom
Future Publishing Ltd
Lire plus
2,23 $(TVA Incluse)
29,98 $(TVA Incluse)
52 Numéros


1 min.
join the club…

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant tips and step-by-step tutorials, every issue features interactive galleries of the best new photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine – it’s a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments – your photo might even appear on our cover! JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! FACEBOOK http://tiny.cc/7s2zgy TWITTER http://tiny.cc/xt2zgy FLICKR http://tiny.cc/nv2zgy We’re more than just a magazine…

1 min.
sigma fp price confirmed, and it’s arriving soon

Sigma has confirmed that its first full-frame mirrorless camera, the Sigma fp, will start shipping from October 25. The company has also confirmed pricing – and the fp, which it says is the world’s smallest and lightest full-frame camera, will be more affordable than many had predicted, with a body-only price of £1,999 in the UK and $1,899 in the United States. Even more tempting than that body only price is a kit which pairs the Sigma fp with the Sigma 45mm f/2.8 DG DN Contemporary lens, which will cost £2,399 in the UK and $2,199 in the US. The fp will use the same L-mount lens system as Leica and Panasonic use for their full-frame cameras. Sigma is also introducing a modular system for the new camera, with users able to…

1 min.
pro ways to use shutter speed

Learning to control shutter speed is often the first camera skill we learn when starting out in creative photography. It’s the most visually apparent of all the components of the exposure process, as even minor experimentation with lengthening or shortening the duration can have obvious impacts on the way detail is rendered in the final frame. Simply by stretching the exposure out by halving the indicated shutter speed, such as from 1/100 sec to 1/50 sec, we can radically change the tone of a composition by conveying movement instead of freezing the subject in a static frame. This explains why shutter speed is seen more as an artistic choice than a practical one, even though there are basic light control functions in adjusting for how long the sensor is exposed…

1 min.
show movement in landscapes

1 SET UP YOUR TRIPOD Since we’ll be using a lengthened exposure duration, a tripod is essential. Scout for a scene where you can get close to the edge of crops or major vegetation that will model the wind for you and help convey movement in the shot. 2 SELECT CAMERA HEIGHT Choose a level to position the camera to make more of foreground detail. Objects that appear further away will show less blur, so place the camera just above the height of foreground objects, extending top leg sections first for maximum stability. 3 USE AV MODE While we want to control shutter speed, as we’re shooting a landscape we also need sufficient depth of field. Aperture priority mode will help ensure this, while indirectly enabling control of exposure time. Start at f/11, and stop…

2 min.
work with slow shutter speeds

The use of longer exposures is perhaps the most well known and popular shutter speed technique. Slowing the shutter speed is, for many photographers, the first technique attempted when learning to take manual control of their camera. While it can become an overused trick, employing a lengthened exposure has the potential to add superior atmosphere to even a relatively plain scene, rendering vegetation as creative streaks, and bodies of flowing water as attractive lines of misty blur. These re-imagined features now appear more ‘alive’ and help to create an active composition. The subject and environment interact in a natural-looking way, appearing more similar to how we see them in real life, with our own eyes. That being said, once the exposure time passes approximately one second, the amount of movement becomes…

2 min.
master intentional camera movement

1 CHOOSE YOUR SUBJECT Intentionally moving the camera during exposure can open up many creative opportunities. This can be used with any subject, but it really lends itself to landscapes by enabling you to concentrate on lines, form and colour over details, to capture the scene in a unique way. 2 DECIDE ON MOVEMENT The look of your image will depend on the speed, direction and smoothness of camera movement. Consider how movement complements a scene. Moving in line with the horizon works well, while moving vertically in line with trees works when shooting woodlands. 3 CONSIDER USING A TRIPOD If you wish to create a smoother level of motion blur, you could attach the camera to a tripod in order to control the movement. Loosen up the tripod just enough for the camera to…