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 / Photographie
Photography WeekPhotography Week

Photography Week No. 371

The world's best-selling digital photography magazine, Photography Week is the ultimate resource for anyone who wants to improve their photography. Every issue we bring you inspirational images, creative ideas, must-try photo projects and in-depth video reviews, plus no-nonsense practical advice on how to get the best from your camera, so you can capture and edit images you can be proud of. Designed specifically for mobile devices, each issue features reader galleries, how-to articles and step-by-step videos that will help you become a better photographer. It's your one-stop shop for all things photographic.

United Kingdom
Future Publishing Ltd
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2,23 $(TVA Incluse)
29,98 $(TVA Incluse)
52 Numéros


1 min.
join the club…

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant tips and step-by-step tutorials, every issue features interactive galleries of the best new photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine – it’s a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments – your photo might even appear on our cover! JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! FACEBOOK http://tiny.cc/7s2zgy TWITTER http://tiny.cc/xt2zgy FLICKR http://tiny.cc/nv2zgy We’re more than just a magazine…

3 min.
olympus unveils the om-d e-m5 mark iii

Olympus has unveiled the OM-D E-M5 Mark III, four years after the launch of the Mark II, and sporting features inherited from the company’s more powerful OM-D E-M1 range to give the enthusiast-level E-M5 lineup a much-needed performance boost. The new camera boasts a 20.4MP sensor, up to 6.5 stops of in-body image stabilisation, 4K video up to 30fps, and a High Res shot mode that delivers 50MP images. Features inherited from the E-M1 line include the celebrated Pro Capture mode, which enables you to capture 14 frames before you depress the shutter, so you never miss an action moment, and a hybrid phase detect autofocus system. The camera offers top-to-bottom improvements over its 2015 predecessor, and notably weighs 51g less despite packing so many upgraded features. Most impressively, however, it also…

1 min.
master composition

Regardless of your choice of exposure, the camera you use or the lighting in your image, the composition of a photograph is the most influential aspect on its success. Looking back at some of photography’s most iconic shots, there are those that are clearly lacking in absolute sharpness, a balanced exposure and ideal lighting, yet they leave a lasting impression on the viewer – despite being far from technically perfect. This is due to the photographer’s inspired choice of framing, which presents the subject in an engaging way and conveys a clear and captivating story. Composition controls what the viewer sees – it defines the parameters within which visual information is disseminated in the frame by clearly telling your audience what they should be looking at. The image’s composition has the…

2 min.
master the essentials

There are certain composition tools we are all familiar with. The rule of thirds, the golden ratio, leading lines – these are all ‘rules’ of composition that we learn to adopt from our first attempts at producing advanced-level imagery. While there are dangers associated with taking these ‘laws’ too seriously, most notably a lack of creative freedom, the core ideas play an important role in formulating a composition workflow. They act as a guide to the initial frame arrangement and represent an effective starting point for artistic experimentation. A secondary function is to provide a universal composition solution – a framework for the rapid organisation of any scene and subject that can be applied instinctively. This may standardise our first image attempts on a shoot, but understanding how to interpret and…

1 min.
control the frame direction

Even in photographs where the subject is stationary or when a fast shutter speed has been used, it’s important for the frame to have energy and a sense of movement. This can be simply implied, but structuring the shot so that object direction can be inferred will help with viewer engagement through added interest and by guiding their eye through the composition. By directing the viewer from one corner of the image to the other you ensure that they notice all of the essential components. Placing the subject near a frame edge or making a feature of their gaze or spatial orientation can point the way for the audience.…

1 min.
utilise the in-camera guides

Most cameras feature built-in framing guides that can be activated to help the user compose their images. These are often activated in the camera menu and are displayed on the rear LCD screen. On mirrorless cameras that feature electronic viewfinders (EVF), there’s usually an option to overlay a guide on the EVF, the main LCD screen or both. Common choices are a rule of thirds grid and a golden ratio frame, though these options vary between brand and model. By keeping these active it’s possible to perfect your composition without having to crop the image later in software.…