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AZUREAZURE

AZURE July/August 2019

Lively, fresh, forward-looking, but also socially relevant — this defines Azure, the leading design publication covering the expanding world of international contemporary architecture and design. Each issue delivers readers inspiring ideas and cutting-edge innovations, from state-of-the-art green building to the latest in furniture and home accessories from around the globe.

Country:
Canada
Language:
English
Publisher:
Azure Publishing Inc.
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8 Issues

IN THIS ISSUE

access_time3 min.
azure

Vol. 35 - No. 273 JUL/AUG 2019 Editor Danny Sinopoli Art Director Joe Silveira Executive Editor Elizabeth Pagliacolo Managing Editor Kendra Jackson Senior Associate Editor Erin Donnelly Web Editor Stefan Novakovic Copy Editor David Dick-Agnew Designer Kari Silver Digital Designer Daniel Hildreth Contributors Veronika Aquila, Maxime Brouillet, Fran Collin, Samantha Edwards, Kenta Hasegawa, Sandra K. Johnston, Will Jones, Simon Lewsen, Austin Macdonald, Mirko Mielke, Arash Moallemi, Eric Mutrie, Philam Nguyen, Carolyn Pioro, Corinna Reeves, Roberto Ruiz, Evan Sung, Jaclyn Tersigni, Nicholas Worley Advertising Director Pam Chodda Young (416) 203-9674 x226 pam@azureonline.com Senior Account Managers Jeffrey Bakazias (416) 203-9674 x238 jeffrey@azureonline.com Neil Young (416) 203-9674 x230 neil@azureonline.com Director Integrated Production Alessandro Cancian Digital Development Manager Francesco Sgaramella Web Interns Kaitlyn-Lee Mun, Daniella Viggiani Director Marketing & Partnerships Mahasti Eslahjou Audience Marketing Manager Amanda Beattie AZ Awards Development Manager Stephanie Galt Administration Olga Chernyak, Elena Zaralieva Editorial Director/Chief Content Officer Nelda Rodger Publisher/Chief Executive…

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first + foremost

Arazzi Wall Panels Italian company Matteo Brioni has furthered its exploration of raw earth surfaces, recently launching Arazzi, a modular boiserie system. Designed by architect Marialaura Rossiello Irvine, Matteo Brioni’s art director, Arazzi combines the warmth and tactile appeal of a handcrafted surface with the benefits of an industrial product. Comprising three-dimensional wooden frames hand-coated in natural clay, the collection’s panels are hung like works of art, and can be used to create feature walls, to help define spaces in open-concept projects, or even to create a headboard, as pictured. The inaugural offering in the brand’s new Al Cubo production line, Arazzi’s modules are offered in 22 different shapes, nine standard textures and 14 colours, though custom shades (such as the greenish blue–grey shown) and bespoke textures are also available. The sculptural…

access_time3 min.
record players

“The Most Slender Tall Building in the World.” “Europe’s First Underwater Restaurant.” “The Largest Indoor Waterfall on Earth.” Such blaring declarations – ascribed to a New York tower by SHoP Architects, Snøhetta’s Under eatery in Norway and Moshe Safdie’s Jewel Changi Airport in Singapore, respectively – are dominating the architecture headlines of late. It seems that every other project deemed worthy of mention is a record-breaker of some description, its value determined by how big, tall or otherwise over-the-top it is. Why, today, does everyone want to break a record? Once upon a time, kids wanted to be firefighters, teachers, doctors and even architects for seemingly nobler goals: the potential for personal reward, as well as a chance to contribute to society. But then came YouTube and Instagram, and with them…

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shape shift

Rugs stole the show in Milan. Yes, rugs. At a design event during which furniture normally reigns, carpets in conventionbusting shapes and silhouettes abounded. At Gan, for instance, Patricia Urquiola’s Nuances pushed spatial boundaries: Fashioned from recycled felt, the collection’s Curve, Line and Round modules morphed from floor- to wallcovering and even into an upholstered pouffe. The lozenge shape that Urquiola favours was also repeated and refracted elsewhere, assuming art deco lines in Bohinc Studio’s West of the Sun rugs for Kasthall and doodle-like flourishes in Claire Vos’s motifs for Moooi. Many of the debuts feel like bona fide art pieces. Joost van Bleiswijk’s Ripped and Teared and Colored for Nodus resembles a construction-paper collage. And then there’s Feathers by Maarten De Ceulaer for CC-Tapis. The Dutch designer digitally manipulates images…

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quasi’s mojo

Olafur Eliasson’s ever-expanding oeuvre encompasses both atmospheric installations and tangible products. The Icelandic-born artist has always been enamoured of light, the focal element of works that range from The Weather Project at London’s Tate Modern to his palm-sized solar lamp Little Sun. Azure caught up with him during Euroluce, where he launched a new pendant lamp – the aluminum and polycarbonate OE Quasi Light – with Danish brand Louis Poulsen. It captures his preferred medium in a boundary-pushing sculptural form. You’ve often worked with light in your art. How is creating a product for a manufacturer such as Louis Poulsen different? My artworks involving light are unique and handmade in my studio. So I wanted to do something that was produced with industrial materials and industrial processes and that still had an…

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glass action

One of the most captivating installations of Ventura Centrale, inside Milan’s decommissioned train sheds, was Emergence of Form by Japan’s AGC. To demonstrate its architectural glass offerings, the company erected a series of increasingly concave glass panels – a sort of stop-motion illustration of a water drop forming, which culminated in a final, massive bubble. While it promoted AGC’s cutting-edge 3D moulding techniques, the installation pointed to the ultra-malleability and dexterity of glass and its ability to be formed in impressive new ways – which also came through in the smaller-scaled offerings of Milan Design Week. Glas Italia, for instance, showed off the Bisel tables, made of five differently coloured layers of five-millimetre-thick laminated glass, while FontanaArte debuted the Lasospesa lamp by Stefano Boeri – the brand’s only new launch at…

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