PLEIN AIR HERITAGE
For any European painter of the early 19th century, the Italian landscape held an almost mystical appeal, luring the likes of a young Jean-Baptiste-Camille Corot (French, 1796–1875) with its natural beauty and antique monuments. The candor, naturalism, and seemingly intuitive structure of this sketch, made during his first trip abroad, attest to the artist’s mastery of plein air to capture the country’s marvels. Although Corot didn’t exhibit informal works like this one, he tried to infuse the paintings he began to show at the Salon the next year with the same vigorous sensibility. Back in France, he settled into an annual routine of travel and plein air sketching in spring and summer, followed by winter work in the studio to elaborate his sketches into exhibit-worthy compositions. Too old to be directly associated…