High-Fi?
“No one thing turned more people into audiophiles than the ’60s counterculture,” said Bruno, arm flung over his cash register. “It opened up the doors of sonic perception. Even the great audio designers of the day were countercultural mavericks!” Bruno is the lanky, braided-beard, thirtysomething owner of a small, well-stocked record shop in Montreal, and we stood facing each other on either side of a glass case filled with vinyl paraphernalia. Bruno has made the most of his limited space. Every foot of each wall supports a shelf crammed with music-related merchandise: rock and jazz memorabilia, album covers, refurbished turntables. There’s even a rack in the back for music and audio magazines, including Stereophile. Bruno owns a record shop, but he’s also a raging conspiracy theorist who can provide a sordid, controversial…