Editor’s Note
When the history of 2020 is written, if we make it that far, the disruption of the usual mechanisms of exhibition, production, and distribution of cinema will (rightly) appear as a footnote, and there’s nothing wrong with that. There are more important crises to manage, but here’s not the place to deal with them in any satisfying way. If the last issue appeared just as COVID-19 was locking us all indoors, this one is born as people are emerging onto the streets, not to head back to normalcy, but to express anger. So I’m sure the last thing you want to hear from me are complaints—after all, we are still publishing, and a physical issue no less. To make a long story short, many challenges were faced for this issue; the…