THAT FREE-FLIGHT MOMENT
We had a debate amongst our team here at Cross Country about what makes a great flying shot, and then what makes a great photograph for the cover. People made notes: “Excellent strong image, close-cropped which is unusual, lots of movement, action, joy written on the pilot’s face.” “Nice holiday shot, but better for a calendar. Not dynamic enough for the magazine.” “I like this one. Adventure, wide-angle, nice atmosphere … but it’s not as punchy as the other. So lacks impact.” “This does not relate to flying in any significant way.” “An inspiring shot, almost empty, it’s pure.” “That onboard style has been seen so much.” The images were all good photographs, all technically perfect but it was the story that each one told that was different. Landscapes that capture the…