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Filme, TV & Musik


March 2020

Get JazzTimes digital magazine subscription today for in-depth coverage of the jazz scene. In addition to insightful profiles on jazz stars new and established, every issue contains reviews of the latest CDs, books and performances. This award-winning publication features lively writing, stunning photography and sophisticated design. Often controversial, always entertaining, JazzTimes is a favorite of musicians and fans alike.

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1 Min.
what's on jazztimes.com

– Exclusive Content Thomas Conrad reviews the Umbria Jazz Winter festival in Orvieto, Italy; full obituaries for saxophonist/composer Jimmy Heath and trumpeter Claudio Roditi; and Michael J. West selects the top albums of the loft-jazz era in our biweekly JazzTimes 10 list. Plus album reviews and much more. – JT Blog Speculation about the future of late jazz piano legend Dave Brubeck’s archives was put to rest on Jan. 11 when Wilton Library, in Brubeck’s longtime home of Wilton, Conn., announced that it will now house his collection of documents, recordings, and other memorabilia. Check out the full report on our website. – Audio & Video The second episode of David Sanborn’s new music video series Sanborn Sessions, featuring Michael McDonald and Brian Owens; track premieres by Sara Gazarek and Michel Petrucciani; downloads from Lisa…

1 Min.

Editor Mac Randall | mrandall@jazztimes.com Contributing Editor Lee Mergner Associate Editor Matthew Bernat Contributing Writers David R. Adler, Dan Bilawsky, Shaun Brady, Philip Booth, Brent Butterworth, Nate Chinen, Sharonne Cohen, Thomas Conrad, J.D. Considine, Brad Farberman, Colin Fleming, David Fricke, James Gavin, Andrew Gilbert, Fernando Gonzalez, Steve Greenlee, Evan Haga, Geoffrey Himes, Marc Hopkins, Willard Jenkins, Mike Joyce, Ashley Kahn, Matthew Kassel, David Kastin, Aidan Levy, Bill Meredith, Allen Morrison, John Murph, Jennifer Odell, Ted Panken, Adam Perlmutter, Britt Robson, Giovanni Russonello, Sam Sessa, Mike Shanley, Jeff Tamarkin, Lucy Tauss, George Varga, Natalie Weiner, Michael J. West, David Whiteis Contributing Photographers & Illustrators John Abbott, Enid Farber, Ken Franckling, Peter Gannushkin, Ben Johnson, Jimmy Katz, Marek Lazarski, R. Andrew Lepley, Jati Lindsay, Alan Nahigian, John Rogers, Nick Ruechel, Jack Vartoogian, Michael Weintrob, Michael Wilderman Editorial Consultant Michael J. West ART & PRODUCTION Art Director Carolyn…

2 Min.
the persistence of memory

And so it comes ’round again: our In Memoriam issue, JazzTimes’ 15th annual collection of tributes to significant figures in the jazz community who left our plane of existence in the preceding year. (If you want to learn how this tradition got started, read Lee Mergner’s JT 50 column on pg. 8.) It’s a testament to just how many such figures passed away last year that this issue’s tributes have spilled over the page count originally allotted to them and seeped into other parts of the magazine. John Edward Hasse’s essay on Rep. John Conyers is in Opening Chorus, while Nicholas Payton’s memories of fellow New Orleanian Dr. John can be found on our back page. This was due in part to the deaths of Jack Sheldon and Vic Juris…

5 Min.
jazz’s advocate-in-chief

Within the arts community, longtime U.S. Congressman John Conyers, who passed away on October 27 at the age of 90, was regarded as one of the most persistent and influential advocates of the uniquely American music called jazz. I knew him for more than 30 years, working with him on a number of initiatives at the Smithsonian Institution, where I was the curator of American music. We bonded because of jazz, which he championed as a proud product of African-American and American culture. Sometimes he would invite me to his office to talk about the music, and he spoke frequently at the Smithsonian, including (to my everlasting gratitude) at my 2017 retirement party. Though his hometown of Detroit became well-known to the public as the headquarters of Motown, Conyers’ ears were…

4 Min.
the optimist

On tenor saxophone, Jure Pukl possesses a sleek tone with which he sculpts alluring melodies, accentuated by coruscating passages. When he talks about his music or about life in his home country of Slovenia, the allure is similar; he draws you in immediately with his ebullient cadence. Pukl’s latest disc, Broken Circles (Whirlwind)—featuring vibraphonist Joel Ross, bassist Matt Brewer, drummer Kweku Sumbry, and guitarist Charles Altura—isn’t quite so bubbly. It’s a call to arms for people worldwide to treat each other with greater respect. “I’m very involved with the political and social state the world’s in,” the 42-year-old Pukl explains on a late September afternoon as he sits in the spacious Harlem apartment he shares with his wife, fellow saxophonist Melissa Aldana. The impetus behind Broken Circles is, in two words, compassion…

4 Min.
jt 50

This month: March 2006 The March 2006 issue was the first in which we ran a section of Farewell tribute pieces about those who had died during the preceding year. The concept was inspired (euphemism for theft) by a poignant piece in Entertainment Weekly written by Tony Randall about his pal Jack Klugman—the Oscar to his Felix, as people of a certain age will recognize. It seemed to me that this approach to remembering the departed would work well in JazzTimes. Indeed, the Farewell pieces we commissioned over the next dozen years proved to be some of the most memorable articles in our history, at least for me. I still vividly recall Les McCann writing about producer Joel Dorn that “I wish I had that same relationship with the women in…