menu
close
search
TUTKIKIRJASTOLEHDET
KATEGORIAT
SUOSITUKSET
TUTKIKIRJASTO
searchclose
shopping_cart_outlined
exit_to_app
category_outlined / Valokuvaus
Outdoor PhotographerOutdoor Photographer

Outdoor Photographer September 2019

Outdoor Photographer’s blend of big, beautiful portfolios, in-depth how-to features, buyer’s guides and product reviews combine to make it the premier magazine about nature photography. Our expert staff of editors and columnists is committed to giving you the tools, techniques and inspiration to capture your favorite subjects in a whole new light. Whatever your interest, Outdoor Photographer will inspire and inform you. Special Introductory Offer

Maa:
United States
Kieli:
English
Julkaisija:
Madavor Media, LLC
Lue lisääkeyboard_arrow_down
OSTA IRTONUMERO
5,94 €(sis. verot)
TILAA
14,88 €(sis. verot)
11 Numerot

TÄSSÄ NUMEROSSA

access_time1 min
outdoorphotographer.com

Fall Color Tips & Locations Visit our website for a variety of fall color guides covering everything from basic techniques and equipment to travel guides and pro advice. Tip Of The Week Available on our website—or delivered directly to your inbox—our “Tip of the Week” provides shooting and processing techniques to sharpen your photography skills. Sign up today. Improve Your Landscape Photography William Neill’s “On Landscape” column explores nature photography from an artistic, contemplative perspective. Get insights from Neill for thoughtful approaches to creating compelling scenic images. Assignments Share your best shots in our weekly “Assignments” photo challenges. Submit your images that fit the week’s theme—you may be our next Assignment winner. Connect With Us Get the latest news and be inspired by great photos from the Outdoor Photographer community. Newsletter Subscribe today for updates on the latest features, how-to articles…

access_time1 min
outdoor photographer

Wes Pitts Editorial Director Kristan Ashworth Managing Editor George D. Lepp Field Editor COLUMNISTS Elizabeth Carmel, Melissa Groo, Amy Gulick, Bill Hatcher, Dewitt Jones, Frans Lanting, George D. Lepp, David Muench, William Neill CONTRIBUTING EDITORS Mark Edward Harris, Lewis Kemper, Glenn Randall, William Sawalich PROFESSIONAL ADVISORS Daryl Benson, Jim Brandenburg, Carr Clifton, Daniel J. Cox, Bruce Dale, James Kay, Robert Glenn Ketchum, David Muench, Marc Muench, Michael Nichols, John Shaw, Art Wolfe SALES & MARKETING (617) 706-9110, Fax (617) 536-0102 Scott Luksh Media Solutions Director Bob Meth Senior Media Solutions Manager Alexandra Piccirilli Senior Media Solutions Manager Classes, Tours & Workshops Sales Manager clientservices@madavor.com Client Services Andrew Yeum Marketing Director Ryan Gillis Audience Development Analyst Tommy Goodale Marketing Associate Tim Doolan Social Media Manager Anthony Buzzeo Content Marketing Associate ART & PRODUCTION Carolyn V. Marsden Art Director Scott Brandsgaard Senior Designer OPERATIONS Jason Pomerantz VP, Circulation Strategy Toni EuniceOperations Coordinator Alicia Roach Human Resources Generalist Cheyenne Corliss Client Services Supervisor Tou Zong Her Senior Client Services Associate Aubrie Britto Darren Cormier Andrea Palli Client Services Amanda Joyce Accounting Director Tina McDermott Accounts Payable…

access_time1 min
cover shot

Photographer: Stan Bysshe Location: Huntley Meadows Park, Alexandria, Virginia Equipment: Nikon D5, AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR, Gitzo tripod Situation: Huntley Meadows Park occupies about 2 square miles of woods and wetlands. It’s one of the best wildlife habitats in the Washington, D.C., area and just 15 minutes from my home. It’s a rare week that I don’t spend at least one sunrise at the park. In the spring and fall, when migrating birds are passing through, I’m at Huntley several mornings a week. A year ago, I decided to try and create images of Huntley through all four seasons. I made several trips to scout the best areas to capture some of the fall color in the park. It turned out that sunset was the best time for light on the woods…

access_time2 min
in this issue

Fall is arguably the best season for outdoor photography. Temperatures mellow, and changing weather patterns bring a mix of dramatic stormy skies and overcast days with soft, diffused light on the landscape. And, of course, along with these changes come the sublime colors of foliage that make this time of year a favorite for nature photographers. When we think of fall color photography in the U.S., New England is likely the backdrop we picture, but there are opportunities across the country, likely within a few hours’ drive from your home. In this issue, we’re highlighting 10 hotspots for fall color, and some are places you might not expect. Each location has its own unique appeal, and the photographers featured in this article share their experience of the place, with insights to…

access_time1 min
contributors

Russell Hart was executive editor at American Photo magazine for many years and teaches in the Master’s in Digital Photography program at the School of Visual Arts. His photographs have been exhibited in museums and galleries around the country. See more of his work at russellhartphoto.com and @russellhartphoto on Instagram. Jason Bradley specializes in nature photography both underwater and above. He’s the owner of Bradley Photographic Print Services, offering fine art printing solutions. He also leads photographic expeditions and is the author of the book Creative Workflow in Lightroom, published by Focal Press. See more of his work at bradleyphotographic.com. Stan Bysshe is an avid amateur photographer who for 20 years spent most of his image-making time underwater. More recently, he transitioned back to land photography, and his images continue to reflect…

access_time2 min
showcase

Last Leaves Of Fall “Fall can be fickle. Especially in Yosemite. I had planned a weekend photographing fall color in the Valley, only to hear friends complain that fall had come early and the leaves were almost gone. Undeterred, I made the drive and started searching for good color on the valley floor. I found some good leaves, but the pickings were slim. “On the verge of giving up, I came across these trees. Most of the leaves were gone, but there was color at the top and, more importantly, a shaded valley wall in the background. My hope was that as golden hour hit, I’d get warm, golden leaves against cool blue granite. “After an hour of waiting, everything came together.” See more of Jon McCormack’s work at jonmccormack.com. Sunrise Over Dallas Divide “In south…

help