3D Artist No. 100

Jenue www.jenue.net Software Cinema 4D, ZBrush, OctaneRender STEVE MAY CTO,PIXAR ANIMATION STUDIOS “Happy birthday 3D Artist magazine! for years you’ve provided a platform for artists to showcase their incredibly creative and fascinatingly complex work. For that, the industry is a better place. So with this, the publication of your 100th issue, we at Pixar send a hearty congratulations as we look forward to enjoying your next 100 issues… and beyond!” IAN KIRBY FOUNDER/CREATIVE DIRECTOR,THE SEQUENCE GROUP “We would like to wish a big happy birthday to the fantastic team behind the publication helping to shape the talent in our industry. Since 2009, the team at 3D Artist has been taking talent to the next level, revealing the techniques needed to make it as a success in this industry!” KEVIN MCDOWELL ART DIRECTOR, CREATIVE ASSEMBLY “Congratulations on your 100th anniversary issue –…

Jenue www.jenue.net Software Cinema 4D, ZBrush, OctaneRender STEVE MAY CTO,PIXAR ANIMATION STUDIOS “Happy birthday 3D Artist magazine! for years you’ve provided a platform for artists to showcase their incredibly creative and fascinatingly complex work. For that, the industry is a better place. So with this, the publication of your 100th issue, we at Pixar send a hearty congratulations as we look forward to enjoying your next 100 issues… and beyond!” IAN KIRBY FOUNDER/CREATIVE DIRECTOR,THE SEQUENCE GROUP “We would like to wish a big happy birthday to the fantastic team behind the publication helping to shape the talent in our industry. Since 2009, the team at 3D Artist has been taking talent to the next level, revealing the techniques needed to make it as a success in this industry!” KEVIN…

What a pleasure it is to be the one to welcome you to issue 100 of this very special magazine. 3D Artist first launched way back in March 2009, and although the tools may have changed, the trends may have evolved and the wider industry may have shifted in new, exciting directions since then, our mission hasn’t changed a bit. This is the hundreth time either I or one of my talented predecessors has used this space to highlight the unparalleled quality of the content you’re about to enjoy, and my promise to you is that our dedication to quality will never change. Before I let you loose on this very special celebratory issue, packed with incredible insight that you won’t find anywhere else, I’d like to say thank you.…

What a pleasure it is to be the one to welcome you to issue 100 of this very special magazine. 3D Artist first launched way back in March 2009, and although the tools may have changed, the trends may have evolved and the wider industry may have shifted in new, exciting directions since then, our mission hasn’t changed a bit. This is the hundreth time either I or one of my talented predecessors has used this space to highlight the unparalleled quality of the content you’re about to enjoy, and my promise to you is that our dedication to quality will never change. Before I let you loose on this very special celebratory issue, packed with incredible insight that you won’t find anywhere else, I’d like to say thank you. Not…

JENUE jenue.net It wouldn’t have been issue 100 without a big gold number on the cover, so we enlisted Jenue’s help to get it done. It’s also a fitting opener for our extra-special feature over on p24. 3DArtist username n/a ZACHARIAS REINHARDT zreinhardt.artstation.com A Blender Foundation Certified Trainer, Zacharias spends his time teaching people around the world. This month he’s on hand to show off his vehicle design skills, with a twist… 3DArtist username zreinhardt ALDO VICENTE aldovicentecg.com We’ve worked with Aldo an awful lot over the years, so it’s great to have him in this special issue. Over on p58 he’s incorporated super-fast GPU renderer Redshift into his Maya pipeline. 3DArtist username AldoVicenteCG ROBERT NATHAN GARLINGTON garlingtonartgallery.com If you want to learn how to nail good composition and create stunning environment scenes in Blender, look no further than Robert’s…

“This started as a study of photogrammetry. We started to take 3D model pieces and rearrange them in 3ds Max. For the characters we made a base mesh in 3ds Max, detailed in ZBrush, generated Displacement and Normal maps, then made all textures in Substance Painter”Fabricio Moraes and Guilherme Formenti, Slug Race, 2016 Fabricio Moraes and Guilherme Formenti www.behance.net/RemyTrapp Fabricio and Guilherme met at Seagulls Fly studio, and they’ve worked together ever since Software PhotoScan, 3ds Max, ZBrush, Substance Painter Work in progress… “Artwork made for Poliigon, partially biased towards my love for wine and grapes. The soul and character of an object lies in its small details, from the little dust particles to the bigger liquid stains. The details were the reason why I created this scene”Guilherme Henrique, Wine and Grapes, 2016 Guilherme Henrique sepultura.artstation.com Guilherme is…