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N-Photo: the Nikon magazineN-Photo: the Nikon magazine

N-Photo: the Nikon magazine February 2017

Every month we bring you 132-pages of step-by-step advice on how to get the best results from your Nikon digital SLR. Our camera skills section will show you how to shoot great pictures and how to edit them to make them even better! You'll be inspired by the beautiful images shot by top photographers and fellow readers. And you'll learn the basics through our Nikopedia reference pages – picking up tips from the pros with our exclusive interviews and masterclasses. ****Note: This digital edition is not printable and does not include the covermount items or supplements you would find with printed copies***

Country:
United Kingdom
Language:
English
Publisher:
Future Publishing Ltd
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13 Issues

IN THIS ISSUE

access_time2 min.
welcome to issue 68

WIN! GITZO GEAR WORTH OVER £1,000 Turn to page 102 for details I know, I know, this month’s head to head between Nikon’s entry-level D3400 and the top-of-the-range D5 (see page 84) isn’t exactly a fair contest, and it’s inevitably a bit tongue in cheek, but there is a serious point to it. The fact is that these days, even Nikon’s entry-level D-SLRs are staggeringly good. Thanks in part to massive improvements in sensor and processing technology over the last decade, the D3400 – which sits at the bottom of Nikon’s current line-up – is arguably a better camera than the pro-spec models that topped the range just 10 years ago, at least in terms of outright image quality. In other words, if you’re lucky enough to own a D3400 or D5500…

access_time1 min.
get even more out of n-photo

Facebook Join 289,000 Nikon nuts who ‘Like’ us on Facebook www.facebook.com/nphotomag Weekly newsletter News, techniques and offers emailed to you every Friday. Sign up at www.bit.ly/nphoto_news Twitter Follow our tweets and keep up to date with all things #Nikon www.twitter.com/nphotomag PhotoClub e-Learning Learn online with our new online video training courses www.digitalcameraworld.com About the cover Meet the cover shot photographer on P90 Title Swirl Tide Photographer Lorenzo Montezemolo Camera D800 Lens 24-70mm f/2.8 Exposure 0.4 secs, f/10, ISO50 Webwww.elmofoto.com THE NEW WAY TO SUBSCRIBE PhotoClub Subscribe today and get a Lowepro Traveler bag worth £49, a copy of Outdoor Landscape and Nature Photography worth £9.99, bonus eBooks, video tutorials, Club discounts and more! Turn to p24...…

access_time1 min.
contributors

This issue’s special contributors... Marcus Hawkins PAGE 14 This month, regular N-Photo contributor Marcus explores how to take professional-looking photos using enthusiast-level kit. Michael Freeman PAGE 74 In part two of his new series, Michael shares another creative path to help liven up your photos: having something happen. Pete Helme PAGE 48 Professional interior and architectural photographer Pete advises our Apprentice on shooting wide-angle interiors. Brian Skerry PAGE 89 When you’re shooting for National Geographic, the pressure’s really on to deliver, says underwater ace Brian. Graeme Quarrington-Page PAGE 58 Retired motorsport photographer Graeme reveals his top tips for capturing geometric images of Mediterranean architecture. Lorenzo Montezemolo PAGE 90 Our cover photographer Lorenzo explains how his fog-shrouded photos of California helped put him on the social media map. The N-Photo team on… Landscapes Paul Grogan Editor I couldn’t agree more with Michael Freeman’s advice on page 74 to add some action to landscape…

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lightbox

Photographers from 38 countries entered close to 18,000 images into this year’s GDT European Wildlife Photographer of the Year competition. Prepare to be impressed by our pick of this year’s winning photos taken on a Nikon Runner up, mammals Elephants on Cracked Soil Federico Veronesi, Italy Led by the matriarch, a herd of elephants crosses a dry Amboseli Lake on a cloudy morning, heading to the marshes to feed on the lush grass. There was an almost mystic silence as these gentle giants passed my vehicle. I pointed my wide-angle lens at the cracked soil of the lake and let the elephants fill the upper portion of the frame. Nikon D800, 24-70mm f/2.8, 1/500 sec, f/10, ISO400 Winner, Young photogr aphers up to 14 years Morning Run Carlos Perez Naval, Spain On this particular morning in Samburu National…

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get pro-level pictures... ...from your entry-level kit

There are many reasons why professional photographers fork out thousands for high-end D-SLRs like the D5, with benchmark speed, tank-like build and direct, intuitive controls topping the list. But, when it comes to the process of actually taking pictures, a beginner-friendly D-SLR such as the D3400 isn’t far behind. In manual mode, both pro Nikon and budget bodies offer control of the aperture, shutter speed and ISO. Both enable you to tap into Nikon’s range of pro-grade lenses, and both enable you to shoot RAW files to realise the best image quality possible. Entry-level cameras have some distinct advantages over pro models too. They’re much smaller and lighter, which means that you’re more likely to want to carry them around all day. And although a flagship FX camera will feature a…

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get up to speed

W hen it comes to picture quality, the difference in performance between a beginner D-SLR and a pro-spec model isn’t as cavernous as you might suppose. Even in terms of raw resolution, newcomer-friendly Nikons such as the D3400 and D5600 outstrip the pro-spec D500 and D5. But, of course, there are plenty of reasons why the D5 commands a price tag that’s around 13 times higher than that of the D3400. Chief of these are build quality and performance. High-end Nikons are equipped with bomb-proof bodies, and professional-grade autofocus and drive modes. The D5, for instance, boasts a total of 153 AF points, 99 of which are the more precise cross-type AF points; it can shoot at up to 14 frames per second (fps); and, when it’s fitted with a fast…

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