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Photography Week

Photography Week

No. 382

The world's best-selling digital photography magazine, Photography Week is the ultimate resource for anyone who wants to improve their photography. Every issue we bring you inspirational images, creative ideas, must-try photo projects and in-depth video reviews, plus no-nonsense practical advice on how to get the best from your camera, so you can capture and edit images you can be proud of. Designed specifically for mobile devices, each issue features reader galleries, how-to articles and step-by-step videos that will help you become a better photographer. It's your one-stop shop for all things photographic.

国家:
United Kingdom
语言:
English
出版商:
Future Publishing Ltd
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52 期号

本期

1
join the club…

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant tips and step-by-step tutorials, every issue features interactive galleries of the best new photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine – it’s a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments – your photo might even appear on our cover! JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! FACEBOOK http://tiny.cc/7s2zgy TWITTER http://tiny.cc/xt2zgy FLICKR http://tiny.cc/nv2zgy We’re more than just a magazine…

3
canon unleashes the eos-1d x mark iii

DSLRs might be seen by many as the dinosaurs of the camera world, but the new Canon EOS-1D X Mark III is here to prove that they can still be a source of photographic innovation. The new powerhouse of sports photography, which was teased in a ‘development announcement’ last year, was fully revealed at the CES 2020 tech expo in Las Vegas. The 1D X Mark III mixes powerful DSLR shooting with some of the latest mirrorless tech, just in time for pro sports photographers to take it to the Tokyo 2020 Olympics. Canon has managed to outdo 2016’s 1D X Mark II through a combination of pushing DSLR tech to the limit and throwing in some of the latest mirrorless tech. The 1D X Mark III still has a 20.1MP full-frame…

2
the new nikon d780 is like a d750/z 6 mashup

If you thought DSLRs were about as relevant as candybar phones, the new Nikon D780 is here to try and change your mind – it’s a full-frame DSLR that also packs in some of the latest and smartest mirrorless camera tech. The successor to the five-year-old D750, it’s designed to be the fullframe equivalent to the Nikon Z 6 for photographers who prefer the optical viewfinders, handling and battery lives of DSLRs. So what’s changed from the D750? Not a vast amount considering it’s been five years since that model, but there are three main differences. While the viewfinder-based autofocus is the same 51-point system as before, switch to the rear screen’s Live View and you now get 273-point on-sensor phase detect autofocus, complete with Eye Detect AF. Impressively, this is the…

3
the insta360 one r is a modular gopro rival

The Insta360 One R might just be the last action camera you’ll need, thanks to a unique modular design that lets it combine 4K, 360-degree and one-inch sensor cameras in one GoPro-sized body. You don’t get all three cameras in the box, with Insta360 providing various One R bundles so you can create the action cam system you want. The base-level camera with just the 4K module costs £299.99/$299.99, while the Insta360 One R Twin Edition adds the 360-degree camera for £439.99/$479.99. A premium 5.3K one-inch, Wide Angle Mod – which Insta360 says “achieves the best ever performance in an action camera” – costs £519.99/$549.99. All three bundles are available now. So how does this nifty system work? The Insta360 One R breaks down into three parts: one houses the processor, another…

1
50 pro wildlife tips

Wildlife photography is enduringly popular, and most of us love seeing pictures of animals even if we don’t capture them ourselves. That said, taking photos of creatures in their natural habitat is often much more accessible than you’d think. Local reserves, patches of countryside and parks can prove fruitful for finding wild subjects, while hiring long lenses can overcome the cost barrier of buying them. The harder part is being patient enough to wait for wildlife to appear, and fast enough to get the shot you want before they disappear again. In this feature we’ve asked five pro photographers to share their tips for creating impactful wildlife images. You’ll notice that some advice comes up more than once – and for good reason. Although wildlife photographers need lightning-fast camera skills, they also…

2
george turner

Every assignment, regardless E of location or objective, is approached in the same way: subject first. Weeks and months before travelling, I’ll research heavily around the respective species in an effort to fully understand them – their behaviour, habitat, unique adaptations, and so on. In my opinion, this is imperative to good wildlife photography. Such a deep understanding enables the photographer to predict behaviour, helping you to stay one step ahead. Is the bear readying to move? Is the cheetah about to hunt? The lion about to roar? Research means preparations can be made, and settings selected, to ensure the moment isn’t missed. On top of that, I also shoot for simplicity. The message I’m looking to convey should be clear, and elements beyond the primary subject should add to the story…