Beadwork的February - March 2018目录

Achieving Mindfulness You may have heard the term “mindfulness” tossed around. But what is mindfulness, exactly? Mindfulness is simply the act of being present. But if you’re a planner—or a worrier—like me, you may have a difficult time being in the present moment, focusing on the here and now. As crafters, though, just the simple act of forcing ourselves to sit still long enough to bead (or knit or crochet) is engaging in mindfulness. It slows our minds and bodies and focuses our thoughts, whether for a few moments or a few hours at a time. The Beadwork staff has had fun putting together a new mindfulness kit, complete with an online quiz to determine your personality type and a corresponding beaded bracelet pattern and materials. Go to www.interweave.com/beading and…

Internationally awardwinning designer, teacher, and official Swarovski Ambassador Kristal Wick presents her new course, Getting Started Bead Making: Fabulous Fabric Beads, based on her best-selling book, Fabulous Fabric Beads. Kristal teaches you from start to finish how to create your own lightweight, one-of-a-kind fabric beads in this 20-minute online course. Sign up today at www.interweave.com. The new Create Leather Jewelry: 8 Projects Using Peyote Stitch, Ladder Stitch, Knotting, and More eBook features eight jewelry projects sure to satisfy any leather-jewelry artist. Visit www.interweave.com to download your copy today. www.interweave.com…

KITS ARE NOW AVAILABLE FOR THIS PROJECT AT www.interweave.com TECHNIQUES Circular netting Right-angle weave variation Wireworking PROJECT LEVEL MATERIALS 4 g gold galvanized size 11° Japanese seed beads (A)3 g metallic dark bronze size 11° Japanese seed beads (B)24 matte dark bronze 10×3mm 2-hole crescent beads (C)32 antique copper 10×3mm 2-hole crescent beads (D)2 foil-back crystal golden shadow 12mm crystal rivolis33 turquoise 4mm howlite rounds (E)16 turquoise 6mm howlite rounds (F)1 turquoise 40mm howlite donut16 antiqued copper 5×2mm leaf bead caps1 antiqued copper 7×12mm lobster clasp1 antiqued brass 2" head pin6 antiqued brass 2" eye pins2 copper 5mm jump rings3" of antiqued copper 3×5mm curb chain18" of antiqued copper 3×6mm oval chain White 6 lb WildFire thermally bonded beading thread TOOLS ScissorsSize 12 beading needleWire cutters2 pairs of chain- or…

beginner friendly! TECHNIQUES Right-angle weave Peyote stitch PROJECT LEVEL MATERIALS 2 g metallic light bronze size 15° seed beads (A)4 g metallic light bronze size 11° seed beads (B)40 berry oxidized bronze 3mm melon rounds (C)136 green ultra-luster opaque 5×3mm pinch beads (D)122 medium amethyst gold suede 6mm pressed-glass rounds (E)17 almond powder 8mm crystal pearl rounds (F)1 antiqued brass 25×10mm 4-strand tube clasp Crystal 10 lb FireLine braided beading thread TOOLS ScissorsSize 10 beading needle FINISHED SIZE 67⁄8" 1) BASE. Use right-angle weave to form the base: Row 1, Unit 1: Use 5' of thread to string 4E, leaving a 12" tail. Pass through the beads again to form a tight circle; use the working and tail threads to tie a square knot and pass through the first 3E…

TECHNIQUES Tubular right-angle weave variationPeyote stitchNetting PROJECT LEVEL MATERIALS 6 g silver-lined teal size 15° Japanese seed beads (A)3 g sterling silver-plated size 15° Japanese seed beads (B)5 g crystal golden rainbow 3.8×1mm O beads (C)6 g full amber 5×2.5mm 2-hole SuperDuos (D)96 full Labrador 2mm pressed-glass rounds (E)72 light teal gold suede 4mm pressed-glass rounds (F)72 metallic light green suede 4mm pressed-glass rounds (G)48 crystal 3mm silver-base crystal rose montées (H) Smoke 6 lb FireLine braided beading thread TOOLS ScissorsSize 12 beading needle FINISHED SIZE 6½ " (inner circumference) 1) BASE, ROUND 1. Use a variation of tubular right-angle weave to stitch the first round of the base: Unit 1: Use 6' of thread to string 1F, 1A, 1C, 1A, 1G, 1A, 1C, and 1A, leaving a 6" tail.…

TECHNIQUES KumihimoSimple wireworking PROJECT LEVEL MATERIALS 92 magic purple 3.8×1mm O beads (A)45 turquoise 3×5mm pinch beads (B)45 crystal Capri gold 3×5mm pinch beads (C)46 turquoise 5×7mm Pip beads (D)1 antiqued brass 10mm heart charm2 antiqued copper 10×9mm cone-shaped bead caps 1 antiqued brass 9×15mm fancy lobster clasp3 antiqued brass 6mm jump rings13⁄8" of 4×6mm twisted oval chainTurquoise size 18 S-Lon twisted nylon cord8" of 24-gauge brass wire4" of 20-gauge brass wire Clear craft adhesive White craft glue (optional) TOOLS ScissorsBig-eye needle (optional)Round kumihimo disk8 clear 2. " kumihimo bobbins2 oz counterweight Lighter Wire cutters Round-nose pliers 2 pairs of chain- or flat-nose pliers FINISHED SIZE 8. "–9" (adjustable) 1) ROPE. Work kumihimo to form a beaded rope: Preparing the cords: Cut four lengths of cord, each 45" long. Fold…

These seven artists created stylish pieces with vintage flair by combining colorful beads and pearls with retro components, such as metal flowers, antique brooches, and filigrees. TECHNIQUES Stringing Simple wireworking MATERIALS 2 yellow 6mm glass rounds 6 yellow 10mm glass melons 5 yellow 10×39mm ceramic rectangle tubes 2 yellow 18×44mm plastic leaves 10 brass 4mm rounds 1 yellow 50mm metal 8-petal flower 1 brass 7mm smooth disc spacer 18 brass 7mm wavy disc spacers 1 brass 11mm flower bead cap 2 brass 9×14mm cones 1 brass 8×28mm embellished S-hook clasp 1 brass 1½ " head pin 2 brass 1½ " eye pins 2 brass 7.5mm jump rings 2 brass 2mm crimp tubes 4 brass 5×12mm cord ends 8" of brown 2mm leather cord 15" of antiqued brass .015 beading wire…

TECHNIQUE Simple wireworking MATERIALS 5 yellow 6×4mm crystal rondelles 1 pink/green 16×17mm crystal bicone 12 copper 3mm rounds 1 copper 6×4mm bicone spacer 2 copper 7.5×12.5mm oval textured rings 1 green 25×60mm metal leaf 1 red/orange 30×36mm metal calla lily 1 red/orange 31mm 3-petal metal flower (small) 2 red/orange 42mm 3-petal metal flowers (medium) 3 red/orange 55mm 3-petal metal flowers (large) 1 bronze 55mm 3-petal metal flower 5 brass 1½ " head pins 2 brass 1½ " eye pins 1 brass 7.5×4mm oval jump ring 1 copper 6×12mm hook clasp 41¾ " of copper 5×6mm unsoldered oval chain TOOLS Round-nose pliers Wire cutters 2 pairs of chain- or flat-nose pliers FINISHED SIZE 15" (adjustable to 23") (with 5×3¼ " focal) 1. Use 1 head pin to string 1 rondelle, 1…

TECHNIQUES Stringing Simple wireworking Knotting Riveting MATERIALS 3 clear 4mm crystal bicones 3 ivory luster fire 3mm fire-polished rounds 100 Pacifica watermelon 3mm fire-polished rounds 1 clear 7mm faceted-glass round 1 pewter 18×23mm bow link 1 pewter 22×40mm filigree oval bezel drop 1 silver-plated 10mm filigree flower 2 silver 4mm knot cups 1 silver-plated 6×9mm magnetic clasp 6 silver-plated 22-gauge 2" head pins 1 silver-plated 22-gauge 2" eye pin 1 aluminum 1⁄16" diameter 5⁄32" long semi-tubular rivet 7 silver-plated 4mm jump rings 3 silver-plated 6mm jump rings 20" of white size D nylon beading thread TOOLS Piercing and rivet-setting tool 2 pairs of chain- or flat-nose pliers Scissors Round-nose pliers Wire cutters FINISHED SIZE 16¾ " (with 3½ " focal) 1. Use the piercing function of the tool to punch…

Bonnie Brooks—illustrator, wife, mother, and grandmother— has been part of the fabric of Beadwork magazine for nearly a decade. Bonnie passed away on October 9th, and her loss has been felt both professionally and personally by all of us here at Beadwork—as well as in the beading community at large. Everyone who’s been on the Beadwork staff has interacted with Bonnie in one way or another during their tenure. Jean Cox (Campbell), founding Editor of Beadwork, has known Bonnie longer than most and shared this tribute: Bonnie was not only the most talented, most intuitive illustrator I’ve ever worked with but also a kind and gentle friend. What a joy it was to work with her. We didn’t often have to rework Bonnie’s drawings because she was so good at…

TECHNIQUE Square stitch PROJECT LEVEL MATERIALS Seed beads Size B nylon or 6 lb FireLine braided beading thread TOOLS ScissorsBeading needleBead stop (optional) FLAT SQUARE STITCH Row 1: Add a tension bead or bead stop to the end of 3' of thread. String enough beads to reach the desired width. Row 2: Working with tight tension, string 2 beads; pass through the second-to-last and last beads added in the previous row (Photo 1) and the 2 beads just added (Photo 2). *String 1 bead; pass through the third-to-last bead in the previous row, the second-to-last bead added in the previous row (Photo 3), the last bead added in this row, and the bead just strung (Photo 4). Repeat from *, advancing the beadwork across the previous row, to the end…

Q: How did you get started beading? A: My very first job was in a store that sold handmade Native American jewelry. We had a jeweler to do repairs such as soldering and stone setting. I learned to string and do some basic wire wrapping to help him. After graduating from college, I found my work as a high school teacher and a caseworker emotionally draining, and I realized that I needed a creative outlet. I had a necklace that I wanted to redesign, so I went to the craft store and picked up some supplies. That was about twelve years ago, and I haven’t stopped beading since! Changing careers was the best decision I ever made. I spent close to ten years working in the bead and jewelry supply…

TECHNIQUES Cubic right-angle weave Fringe PROJECT LEVEL MATERIALS 5.5 g metallic plum hematite size 11° seed beads (A)2.5 g metallic amethyst gunmetal size 11° Demi Round seed beads (B)1.5 g metallic amethyst gunmetal size 8° Demi Round seed beads (C)16 silver 3mm pressed-glass rounds (D)42 metallic sharkskin saturated 7mm2-hole CzechMates cabochons (E)1 gunmetal 19×10mm 3-strand tube clasp Smoke 6 lb FireLine braided beading thread TOOLS ScissorsSize 11 beading needle FINISHED SIZE 7¼ " 1) RECTANGLE FRAMES. Use cubic rightangle weave to create rectangular frames: Cube 1, Bottom: Use 6' of thread to string 4A, leaving a 6" tail. Pass through the beads again to form a tight circle; use the working and tail threads to tie a square knot and pass through the first A strung (Fig. 1, orange thread).…

TECHNIQUE Circular netting PROJECT LEVEL MATERIALS 5 g emerald-lined crystal luster size 11° Demi Round seed beads (A)9 g bronze size 8° Demi Round seed beads (B)40 white luster opaque 3×6mm Prong beads (C)60 green ultra-luster opaque 3×6mm Prong beads (D)12 orchid indigo polychrome 3mm firepolished rounds (E)1 antiqued brass 10×14mm oval toggle clasp3 antiqued brass 5mm jump rings Crystal 6 lb FireLine braided beading thread TOOLS ScissorsSize 12 beading needle2 pairs of chain- or flat-nose pliers FINISHED SIZE 7½ " 1) STARBURSTS. Use circular netting to stitch the components: Round 1: Note: String each C with the point facing up and so that it curves inward. Use 3' of thread to string {1B, 1A, 1B, and 1C} four times, leaving a 4" tail. Pass through the beads again to…

beginner friendly TECHNIQUES Circular peyote stitchNetting PROJECT LEVEL MATERIALS 1 g matte dark olive size 15° Japanese seed beads(A)1 g matte green teal size 11° Japanese seed beads (B)10 soft pink opaque 4×2mm 2-hole MiniDuos (C)10 light rose ceramic-look 2.5×3mm Minos par Puca beads (D)10 white mint luster 10×5mm 3-hole Arcos par Puca beads (E)1.5 g matte white vitrail 3.8×1mm O beads (F)10 turquoise travertine 4×6mm pellet beads (G)10 green turquoise opaque 6mm 2-hole Honeycomb beads (H)1 pair of antiqued brass-plated 19mm ear wiresOlive size D S-Lon twisted nylon cord TOOLS ScissorsSize 12 beading needleChain-nose pliers FINISHED SIZE 2¼ " 1) EARRING BODY. Use a combination of circular peyote stitch and netting to form the body of the earring: Round 1: Use 3' of cord to string 5H (inner holes),…

1. Hold the disk parallel to the floor with number 32 held away from you. Tuck the cords into the slots around the disk and place the wire/knot/button through the center hole (Fig. a). Add a weight to the wire/ knot/button below the disk to maintain correct tension. The braid will form at the center hole, extending below the disk as you work. Do not allow the cords to tangle, and keep the weight suspended. 2. Move the bottom left cord between notches 16 and 17 up to the notch between 30 and 31. Move the top right cord between notches 32 and 1 down to the notch between 14 and 15 (Fig. b). Rotate the disk one-quarter turn clockwise so number 24 is now at the farthest (top) position…

TECHNIQUE Simple wireworking MATERIALS 1 peach 7×8mm ceramic textured rondelle 1 cream 12×7mm ceramic rondelle 1 purple 12×10mm ceramic rondelle 1 blue 14×8mm ceramic rondelle 1 brass 3×33mm bar link 7 vintage 12×5–7mm enameled flowers (2 blue, 2 lavender, 1 orange, 2 butter) 7 brass 6mm filigree flower bead caps 1 brass 7×16mm vintage filigree link 3 green-and-brass 6×18mm vintage glass leaf charms 1 bronze 16×19mm branch toggle clasp 7 brass 2" ball-end head pins 1 brass 2" eye pin 7 brass 4.75mm jump rings (small) 1 brass 9.5mm etched jump ring (medium) 1 brass 19mm jump ring (large) 1 green/blue/yellow/pink/ivory 50×45mm vintage enamel-and-rhinestone floral brooch 11" of brass 20mm round/8×12mm bow-andring/ 14mm round chain 18" of dark brass 22-gauge wire TOOLS Round-nose pliers Wire cutters 2 pairs of chain-…

TECHNIQUES Stringing Crimping MATERIALS 10 crystal iridescent green 4mm crystal bicones 8 scarabaeus green 4mm crystal pearl rounds (small) 84 scarabaeus green 6mm crystal pearl rounds (medium) 90 scarabaeus green 8mm crystal pearl rounds (large) 1 brass 36mm rosette filigree square link 1 brass 61×37mm fanned boho filigree semicircle 1 smoky quartz 20×25mm gunmetal 3-strand magnetic clasp 3 brass 4mm jump rings 12 antiqued brass 2mm crimp tubes 9" of bronze 21-gauge wire 78" of antiqued brass .019 beading wire TOOLS Wire cutters Crimping pliers Round-nose pliers FINISHED SIZE 17" (shortest strand) (with 3" focal) 1. Use one 12" piece of beading wire to string 1 crimp tube and the bottom left hole of the clasp. Pass back through the crimp tube and crimp. String {1 large and 1 medium…

PASS THROUGH VS PASS BACK THROUGH Pass through means to move the needle in the same direction that the beads have been strung. Pass back through means to move the needle in the opposite direction. FINISHING AND STARTING NEW THREADS Tie off the old thread when it’s about 4" long by making an overhand knot around previous threads between beads. Weave through a few beads to hide the knot, and trim the thread close to the work. Start the new thread by tying an overhand knot around previous threads between beads. Weave through several beads to hide the knot and to reach the place to resume beading. STOP BEAD A stop bead (or tension bead) holds your work in place. To make one, string a bead larger than those you…

Q: How did you happen to get on Who Wants to Be a Millionaire? A: After trying to get on the show many times through the phone-quiz system, I went to an audition in my hometown of Las Vegas. First was a quiz (100 “fastest finger” type questions), then a mock interview and game. I was so sure I failed the quiz that I almost went home, but my brother convinced me to stay. Thank goodness he did! So I took him along when I went to New York City. Q: How did you prepare for the show? A: I’ve always had a brain for trivia. I was on my high school quiz bowl team, and I auditioned for Jeopardy in college. I probably could have been a doctor if…

TECHNIQUES NettingPicotFringe PROJECT LEVEL MATERIALS 4 g gray luster size 15° Japanese seed beads (A)4 g matte silver size 8° Demi Round seed beads (B)40 turquoise lumi 5mm 2-hole diamond Silky beads (C)39 blue/green mint luster 6mm 2-hole diamond Silky beads (D)117 coco pastel 8×5mm 2-hole DiamonDuos (E)231 Pacific opal 3mm crystal bicones (F)2 Pacific opal 4mm crystal bicones (G)1 gold 15×25mm lobster clasp1 gold 8mm jump ring Crystal 8 lb FireLine braided beading thread TOOLS ScissorsSize 11 beading needles FINISHED SIZE 17" 1) ROW 1. Use netting and picots to form the top row of the collar: Unit 1: Note: String all 2-hole beads faceup. Add a stop bead to 6' of thread, leaving a 12" tail. String 1C and 5A; pass back through the second hole of the…

TECHNIQUES Loomwork Gluing Whipstitch Backstitch bead embroidery PROJECT LEVEL MATERIALS 9 g black opaque size 11° cylinder beads (A)4 g white opaque size 11° cylinder beads (B)6 g pearl Mediterranean opaque size 11° cylinder beads (C)5 g light peach coral opaque size 11° cylinder beads (D)17½ " black wire collar necklace with screw clasp12 × 9" of black felt Smoke 10 lb FireLine braided beading thread Black cotton sewing thread Water-based glue TOOLS Beading loomScissors2½ " size 8 twisted beading needle Toothpicks Size 11 sharp (short) beading needle FINISHED SIZE 17½ " 1) GREEK KEY COMPONENT. Form a loomwoven Greek key component: Warp: Use braided beading thread to warp the loom with 12 strands, following the manufacturer’s instructions. Weft: Tie 6' of braided beading thread onto the leftmost warp thread.…

beginner friendly TECHNIQUES Circular nettingPicot PROJECT LEVEL MATERIALS 12 g gold luster Montana blue size 11° Demi Round seed beads (A)9 g transparent bronze 4×2mm 2-hole MiniDuos (B)9 g magic copper 4×2mm 2-hole MiniDuos (C)30 bronze 6mm 2-hole glass cabochons (D)2 bronze 8mm glass druks Brown size D Nymo nylon beading thread TOOLS ScissorsSize 11 beading needle FINISHED SIZE 8" 1) COMPONENTS. Use circular netting and picots to form the components: Round 1: Use 3' of thread to string {1A and 1B (inner hole)} six times, leaving a 6" tail; pass through the beads again to form a tight circle. Pass through the first 1A/1B (inner then outer holes) (Fig. 1, green thread). Round 2: String 1A, 1B (inner hole), and 1A, then pass through the next B (outer hole)…

TECHNIQUES NettingCircular peyote stitchStringing PROJECT LEVEL MATERIALS 1.5 g metallic bronze size 15° Japanese seed beads (A)1 g metallic bronze size 8° Japanese seed beads (B)2 g metallic amethyst gunmetal size 8° Demi Round seed beads (C)1.5 g matte metallic copper 4×2mm 2-hole MiniDuos (D)30 Persian turquoise bronze Picasso 10×3mm3-hole CzechMates beams (E)30 bronze 10×3mm 3-hole CzechMates beams (F)42 metallic suede purple 3mm English-cut fire-polished rounds (G)26 bronze 6mm pressed-glass round druks (H)1 brass 12×24mm hook clasp7½ " of natural bronze 4×6mm unsoldered flat oval chain Smoke 6 lb or 8lb FireLine braided beading thread TOOLS ScissorsSize 12 beading needle2 pairs of chain- or flat-nose pliers FINISHED SIZE 21½ " 1) CENTER COMPONENT. Work a combination of circular peyote stitch and netting to form the focal piece of the necklace:…

TECHNIQUES Stringing Crimping Simple wireworking Hole punching Painting Gluing Hammering MATERIALS 2 bronze size 11° seed beads 1 white 3mm glass pearl round 1 white 4×8mm pearl oval 32 white 5–7×4–8mm assorted potato, button, round, and rice pearls 2 copper 10mm filigree flowers 1 copper 9×20mm filigree leaf charm 1 copper 15×70mm 2-hole rectangle blank 1 rusted iron 18×66mm vintage-style pewter key pendant with oval bezel 2 copper-plated 5mm rope spacers 1 copper 9mm flower bead cap 3 brass 24-gauge 2" head pins 3 copper 4mm jump rings 1 brass 7mm jump ring 1 brass 9mm jump ring 1 copper-plated 5×10mm lobster clasp 2 copper 2mm crimp tubes 2 copper wireguards 3" of ivory embroidery floss 12¼ " of copper-plated 6×8mm flat oval chain 10" of .014 beading wire Jewelry…

TECHNIQUES Knotting Simple wireworking MATERIALS 1 light blue 10mm ceramic round 1 light yellow 13×10mm ceramic rondelle 1 matte blue 14×10mm ceramic rondelle 1 matte ivory-and-blue 15×12mm ceramic polka-dot rondelle 1 olive 18×12mm ceramic melon rondelle 1 red 20×29mm ceramic faceted heart 1 aqua 52×45mm ceramic telephone pendant 2 copper 20–22mm irregular circle links 1 copper 2×8mm hammered hook clasp 20" of tan 3mm microsuede lace 19" of copper 16-gauge wire TOOLS Scissors Wire cutters Round-nose pliers Chain- or flat-nose pliers FINISHED SIZE 18½ " 1. Center the clasp on the microsuede lace and form an overhand knot to secure the clasp. Use both ends of the lace to form an overhand knot on 1 circle link. Trim. 2. Use one 3" piece of wire to form a wrapped loop…