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Photography WeekPhotography Week

Photography Week No. 337

The world's best-selling digital photography magazine, Photography Week is the ultimate resource for anyone who wants to improve their photography. Every issue we bring you inspirational images, creative ideas, must-try photo projects and in-depth video reviews, plus no-nonsense practical advice on how to get the best from your camera, so you can capture and edit images you can be proud of. Designed specifically for mobile devices, each issue features reader galleries, how-to articles and step-by-step videos that will help you become a better photographer. It's your one-stop shop for all things photographic.

Paese:
United Kingdom
Lingua:
English
Editore:
Future Publishing Ltd
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join the club…

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant tips and step-by-step tutorials, every issue features interactive galleries of the best new photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine – it’s a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments – your photo might even appear on our cover! JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! FACEBOOK http://tiny.cc/7s2zgy TWITTER http://tiny.cc/xt2zgy FLICKR http://tiny.cc/nv2zgy We’re more than just a magazine…

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sony confirms new fe 135mm f/1.8 gm lens

Sony has confirmed its long-rumored FE 135mm f/1.8 GM lens. The optic is the ninth addition to the G Master series, which also includes the FE 24mm f/1.8 GM and FE 400mm f/2.8 GM OSS. Like those lenses, the new FE 135mm f/1.8 GM lens is targeted at users of the company’s full-frame A7R III and A9 cameras among others, and arrives with some impressive technology to befit its position in Sony’s lens stable. The new optical design makes use of Super ED (Extra-low Dispersion), regular ED and XA (Extreme Aspherical) elements, and these are claimed to maintain high corner-to-corner resolution, even when the lens is used wide open at f/1.8. This is helped by the use of a floating focus mechanism, which also helps to ensure that control over aberrations…

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tokina unveils affordable opera 16-28mm f/2.8 ff

Tokina has confirmed full details of its latest wide-angle zoom lens, the Opera 16-28mm f/2.8 FF. The lens bears the same basic specifications as the company’s existing AT-X 16-28mm f/2.8 PRO FX, but features a smarter design and additional internal technologies. Like that lens, however, it covers the dimensions of a full-frame sensor, and is set to be available in Canon EF and Nikon F fittings. Built around 15 elements arranged over 13 groups, the lens features three aspherical elements that include a large P-MO element towards the front of the optic. Three glass molded Low-Dispersion (SD) elements have also been included here, as are Multi Coatings on the elements to help improve light transmission. Like the previous AT-X 16-28mm f/2.8 PRO FX, the new lens has an integrated petal-shaped hood at its…

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unlock your kit’s potential

Experienced photographers will most likely believe that they are intimately familiar with their camera gear, and consider themselves an expert in their chosen field. Since they use their specialised equipment for many hundreds of hours every year, it’s true that a professional should feel confident with the main functionality of the tools of their trade. However, with speciality comes repetition and a relatively formulaic work strategy. Many pros will find themselves using the same kit, and the same settings and system arrangements, time and again, with very little scope for experimenting with novel setups, and this might lead to many features and functions of their kit being overlooked. One of the primary causes of limited success with a piece of photo gear is a lack of knowledge of how best to…

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know your camera body

When we unbox our camera after purchasing it, it’s set up according to default factory specifications. While over time you might make small alterations to control functionality, such as activating settings that are turned off as standard, many photographers rarely customise the camera body to its full potential. The problem with leaving buttons and dials set to their native functions indefinitely is that the overall control layout may not be perfectly compatible with your preferred shooting method. This may affect handling speed, comfort and accuracy, and will be especially noticeable on long shoots, where you may be using heavy gear for prolonged periods of time. At the most basic level discomfort is an inconvenience, but more seriously it can have implications for the safety of your kit, as risks of accidents…

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use multiple memory cards

Many professional and enthusiast-level DSLRs are equipped with a pair of memory card slots rather than one, which increases the storage capacity available. The dual-slot system can also be used to provide a redundant backup for the images from a shoot. This is a more sensible option if you know you are unlikely to fill two cards with images, but will be unable to easily re-shoot photographs should a card be corrupted and files lost. You can select how you’d like to use the second slot in the menu.…

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