In the 1950s and ’60s, an elite class of designers transformed pieces of furniture into works of art. Their names have become synonymous with the iconic modern masterpieces they created: Eames, Saarinen, Starck, Mies van der Rohe, Bertoia, Wright and Jacobsen, to name a few. However, this supreme list would be incomplete without noting the innovative work of Florence Knoll.
The primarily industrial designer opened the door to a new kind of office that evolved into an artistic experience. “Knoll paired interiors with architecture, and in so doing, she both defined a clearer brief for the interior design profession and elevated its social and cultural status,” writes Ana Araujo in her new book, No Compromise: The Work of Florence Knoll.
Knoll’s roster of renowned corporate clients included media moguls, such…
