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Kendo WorldKendo World

Kendo World

No.32_Vol.8.4

Kendo World is the only English language periodical devoted to Japanese budo (martial arts), and the dissemination of its vast practical, philosophical and historical aspects to the non-Japanese speaking community. Although Kendo World's primary focus is kendo, it also covers iaido, naginata, jodo, jukendo and tankendo, as well as other koryu. In addition to these martial arts, Kendo World also contains articles of cultural and historical significance on various subjects related to budo. The Kendo World Team also visits and reports on many of the major kendo tournaments in Japan and around the world. The articles contained in Kendo World are written by an international network of experienced martial artists spread across Japan and the world. Translations of articles and books published in Japanese, including those of our supporters Kendo Nippon and Kendo Jidai magazines, are also included in Kendo World.

Land:
Japan
Språk:
English
Utgiver:
Bunkasha International Corporation
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kendo world

Kendo World Staff • Bunkasha International President & Editor-in-Chief—Alex Bennett PhD • Bunkasha International Vice President & Assistant Editor—Michael Ishimatsu-Prime MA • Bunkasha International Vice President & Graphic Design—Shishikura ‘Kan’ Masashi • Bunkasha International Vice President—Hamish Robison • Bunkasha International Vice President—Michael Komoto MA • Bunkasha International General Manager—Baptiste Tavernier MA • Senior Consultants—Yonemoto Masayuki, Shima Masahiko KW Staff Writers / Translators / Photographers / Graphic Designer / Sub-editors • Axel Pilgrim PhD • Blake Bennett PhD • Bruce Flanagan MA • Bryan Peterson • Charlie Kondek • Gabriel Weitzner • Honda Sōtarō PhD • Imafuji Masahiro MBA • Jeff Broderick • Kate Sylvester PhD • Okuura Ayako • Sergio Boffa PhD • Stephen Nagy PhD • Steven Harwood MA • Takubo Seiya • Taylor Winter • Tony Cundy • Trevor Jones • Tyler Rothmar • Yamaguchi Remi • Vivian Yung • Yulin Zhuang KW would like to thank the following people and organisations for their valuable cooperation: • All Japan Kendo…

access_time9 min.
editorial

Erai shitsurei shimashita. That’s Kansai dialect for, “Begging your pardon folks…” It has been quite some time since the last issue of Kendo World. The blame rests solely on my shoulders. The past 18 months or so have been characterized by life sort of getting in the way. But KW is back, and we are on the verge of taking it to new heights. More on that later. To start off, the Good Ship Kendo has been navigating choppy seas since we last published. Before commenting on the recent and much anticipated 17th WKC in Korea, I should begin with the “iaido debacle”. By now, details of the shocking revelations involving bribes to examiners in iaido 8-dan gradings have trickled through to the international community. Without going into too much detail, the…

access_time2 min.
uncle kotay’s kendo korner

Part 4: Win Before You Strike! Q : Hey Uncle Kotay, I’m sorry to always keep bugging you, but I’ve got another question. In a shiai the other day, I thought I had the perfect opportunity so I tried to strike my opponent’s men. However, my opponent instantly blocked me and scored ippon with men-kaeshi-do! I ended up losing the match, and afterwards one of my senpai said to me, “You need to win before you strike!” That seemed a bit back the front. Surely you strike to win? Can you tell me what he means? (#confusedagain) A : Well, that was actually some very good advice. In Japanese, there is an expression “katte-utsu” (勝って打つ: win and then strike), and. It refers to the work or preparation that you need to do…

access_time11 min.
kendo and thehuman condition

“I don’t want to see anyone. I lie in the bedroom with the curtains drawn and nothingness washing over me like a sluggish wave. Whatever is happening to me is my own fault. I have done something wrong, something so huge I can’t even see it, something that’s drowning me. I am inadequate and stupid, without worth. I might as well be dead.” Margaret Atwood, “Cat’s Eye” Winter, 2013 Feeling utterly broken, I sit on the edge of my bed, surrounded by the suffocating darkness and silence. The clock reads four in the afternoon, and the winter sun should be about to set soon, but I can only guess. I haven’t been outside in over a week. Looking around the spartan room, I feel utterly detached, though the detachment is better than the…

access_time16 min.
takano sasaburō’s kendō

Takano Sasaburō (1862–1950) is considered one of the most influential pioneers of modern kendo. He was instrumental in developing the dan grading system for kendo and was also a key member in the committee that created the Kendo Kata in 1912. His book, simply titled Kendō, was a tour de force in the creation of a uniform style for modern kendo and is still considered a classic by kendoka today. In this series of articles, I will translate Takano’s book, and annotate the text to add context to its ground-breaking content. The following is the last sections of Chapter 3 of Kendō. Kata Kata forms were created by selecting the most fundamental techniques in kendo. Through studying kata, students develop good posture, hone their power of observation, fix bad technical habits, learn…

access_time2 min.
know your limits

Hagakure provides a window on life in eighteenth century Japan. We get a sense of the frustrations samurai faced in a time of peace, and the stress that enveloped their existence. Actually, all said and done, they weren’t that different to us. They had their foibles, and many of the passages contained in Hagakure are surprising in their mundane simplicity. For example, more than a few vignettes warn the samurai to know his limits and not overindulge when imbibing. The samurai, it seems, had a penchant for getting their fill of rice wine to drown their sorrows—something that many of us can empathize with, I am sure. The urge to temporarily get lost in a bottle, for fun or through the frustration of having to deal with obnoxious people every day,…

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