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Future MusicFuture Music

Future Music

November 2019

Future Music delivers the technique and technology behind the hits. Packed with inspiration for today’s modern musician there’s reviews of hot new gear, tons of tutorials to help you get the most out of your hardware and software, and exclusive In The Studio features where the stars take apart their tracks. Our Zinio edition does not include the DVD but DOES INCLUDE the full samples and tutorial files to download. Full details inside. Download does not include In The Studio With video. This digital edition is not printable.

Country:
United Kingdom
Language:
English
Publisher:
Future Publishing Ltd
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$63.76
13 Issues

IN THIS ISSUE

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the outer limits…

In electronic music making, effects are everything. You can be using the best vintage synths and a ton of killer drum sounds, but without a bit of creative processing your music is going to sound incredibly dry. Whether it’s using reverb to place sounds into space, adding groove with delay or harmonic grit with distortion, having a stock of quality effects – and knowing how to use them – is essential for any modern producer. Pushed to extremes, creative effects can be the most inspiring thing in your production toolbox. By setting up elaborate chains of processors and getting over-the-top with automation, it’s possible to turn even simple sounds into wild, ear-catching sonics. This is exactly what we’re exploring in this issue’s Extreme Effects cover feature. Join us down the rabbit hole…

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future music

Editor Si Truss, simon.truss@futurenet.com Reviews Editor/Online Content Manager Simon Arblaster, simon.arblaster@futurenet.com Managing Editor Kate Puttick, kate.puttick@futurenet.com Art Editor Phil Cheesbrough, philip.cheesbrough@futurenet.com BIG THANKS TO… Joe Rossitter, Danny Turner, Leo Maymind, Roy Spencer, Oli Bell, Adam Gasson, Kevin Lake, Phil Barker, Bruce Aisher, Dan ‘JD73’ Goldman, Mark Gyver, Adam Lee, Greg Scarth, Catherine Hood, Olly Curtis, Robbie Stamp, Tom Jones, Tim Cant, James Russell ADVERTISING For Ad enquiries please contact: Steven Pyatt, steven.pyatt@futurenet.com MARKETING Direct Marketing Executive: Will Hardy PRODUCTION & DISTRIBUTION Production Controller: Fran Twentyman Production Manager: Mark Constance Printed in the UK by: William Gibbons & Sons Ltd on behalf of Future Distributed in the UK by: Marketforce (UK), 2nd Floor, 5 Churchill Place, Canary Wharf, London, E14 5HU Tel: +44 (0) 203 787 9001 CIRCULATION Head of Newstrade: Tim Mathers Head of Print Licensing: Rachel Shaw, licensing@futurenet.com MANAGEMENT Chief Content Officer: Aaron Asadi Brand Director, Music: Stuart…

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archive

AMBIENT SOUNDS PT.1 ’90s Ambient (562 samples) Ambient Dawn (490 samples) AMBIENT SOUNDS PT.2 Majestic Bells & Mallets (444 samples) Spring Reverb & Tape Delay (533 samples) ATMOSPHERES & BACKGROUNDS Atmospheric Beds (369 samples) Noise, Crackle & Hiss (512 samples) Sounds of the City (371 samples) CLASSIC SYNTHS PT.1 Analogue Polys (625 samples) SH Collection (500 samples) CLASSIC SYNTHS PT.2 Analogue Poly Chord Hits (342 samples) Classic Synths: ’80s, ’90s, ’00s (678 samples) Hardware Arps (511 samples) CREATIVE DRUMS Cyborg Beats (514 samples) Lo-Fi Sampling (555 samples) Obscure Drum Machines (517 samples) Overloaded Beats (889 samples) ESSENTIAL DRUMS 808 and 909 (39 samples) Ultimate Cymbals (503 samples) Ultimate Kick Bundle (505 samples) Ultimate Snares & Claps (676 samples) Vintage Drum Machine Hits (548 samples) FX & TRANSITIONS PT.1 Filter Fun (496 samples) Gates ‘N’ Sidechains (287 samples) Total Transitions (260 samples) FX & TRANSITIONS PT.2 Destroyed synths (519 samples) Sci-Fi FX (501 samples) HIP-HOP, FUNK & SOUL Cosmic Soul (386 samples) Funk Keys (279 samples) Hip-Hop Drum Machines…

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analogue solutions’ colossus lives up to its name in both size and price

UK synth brand Analogue Solutions have posted details of Colossus, a lovingly crafted megasynth that takes inspiration from the EMS Synthi 100 but is also looking to take its own place in music technology history. This is very much a no-expense spared analogue workstation – Analogue Solutions say that it’s also “art, architecture, and exquisite studio furniture”, in fact. Although it nods to the Synthi, this isn’t an emulation; instead, it features circuits from previous AS instruments such as the Polymath, Telemark and Vostok. All voice and modulation circuits are fully analogue, though elements of the sequencer are digital. You’ll note the two mighty pin matrix panels that can be used for programming, and you’ll also find spring reverbs, touch keyboards, step sequencers, moving coil meters, joysticks and more. There are few concessions…

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moog are reissuing the compact model 10 modular synth… but the price is not so compact

Moog are returning to their roots once again with the announcement of a rebooted Model 10 modular synth. Originally released in 1971, this compact, self-contained instrument was designed with portability in mind, but contained a classic line-up of sonic building blocks. The Model 10 contains 11 discrete analogue modules including oscillators, multiple filters, modulators and a random signal generator. Highlights of note include the revered 907 Fixed Filter Bank, while the three 900-series oscillators replicate those used by Wendy Carlos in the creation of the seminal Switched-on Bach. For the reissue, everything is housed in a Tolex-enclosed wood cabinet, and Moog say that this is an instrument that’s designed for “speed and simplicity” to go alongside that classic Moog sound. This is a limited-edition reissue of the Model 10, with each one being hand-built…

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erica synths pico system iii is the full analogue modular synth that you can fit in your bag

The words ‘analogue modular synth’ are often associated with big, wood-panelled instruments, but Erica Synths’ new Pico System III is rather different. Designed to offer a full modular experience, this is a compact, self-contained device that is available in both desktop and Eurorack formats. Erica Synths say it’s designed to take modular synthesis back to basics and to encourage patching creativity. There are 31 inputs, 20 outputs and seven switches, giving you almost limitless scope for experimentation. For a guaranteed result, you can make use of the preset voice cards; five come included, while a further five are empty and can be used to develop your own patches. More will be available via Erica Synths’ shop. The modules themselves include the 2-3-4 step sequencer, two VCOs, a VCO controller/VCA module, several mixers that…

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