Heritage
Color can be representational, but it can also be expressive. Artists use it to inject feeling imaginatively into their work. The process is one of exaggerating and envisioning — re-imagining the qualities that make a thing worthy of painting in the first place. James Abbott McNeill Whistler (1834-1903) titled a senes of watery landscapes “nocturnes.” In doing so, he referenced music (Chopin composed a series of equally dreamy solo piano works under the same name) as well as mood. In color, the paintings stayed in the blue, green-blue, blue-gray family. Many think of them now as among the early forerunners of abstraction. Here, Whistler's choice of veiling the lagoon in swaths of greenblue-grays corresponds to how it felt to him. The painting expresses a feeling, a vision. He turns a relatively common…