Vogue Australia

Vogue Australia January 2020

Vogue Australia epitomises the finest in fashion, design and journalism. It enlightens, entertains and inspires by focusing on its position as the authoritative voice in Australian fashion. Vogue Australia combines a modern mix of glamour, style and intelligence presenting the ultimate in fashion, beauty, health, and the arts.

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3 minutos
vogue australia

Edwina McCann Editor-in-Chiefeditor@vogue.com.au Deputy Editor JESSICA MONTAGUE features@vogue.com.au Fashion Director CHRISTINE CENTENERA Creative Director (Condé Nast Australia titles) JILLIAN DAVISON Creative Director (Features) at Large ALISON VENESS ART art@vogue.com.au Art Director MANDY ALEX Designer ARQUETTE COOKE FASHION fashion@vogue.com.au Senior Fashion Editor KATE DARVILL Fashion Editor and Market Director PHILIPPA MORONEY Junior Fashion Editor PETTA CHUA Market Editor KAILA MATTHEWS Style Content Editor REBECCA SHALALA Fashion Assistant REBECCA BONAVIA BOOKINGS bookings@vogue.com.au Executive Producer and Talent Director RIKKI KEENE Senior Producer LAUREN BARGE Bookings Editor EMMA PROUDFOOT Producer SAMANTHA TREYVAUD FASHIONFEATURES vogue@vogue.com.au Fashion Features Director ALICE BIRRELL Fashion Features Assistant JEN NURICK BEAUTY AND HEALTH beauty@vogue.com.au Senior Beauty and Health Editor REMY RIPPON Health Editor at Large JODY SCOTT Beauty Special Projects RICKY ALLEN COPY copy@vogue.com.au Travel Editor and Copy Editor MARK SARIBAN Deputy Copy Editor and Lifestyle Writer CUSHLA CHAUHAN Sustainability Editor at Large CLARE PRESS Arts Writer JANE ALBERT Managing Editor LOUISE BRYANT DIGITAL vogue@vogue.com.au Digital Editorial Director JULIA…

2 minutos
vogue contributors

BILLIE SMOLENAERS “It’s always been a dream of mine to shoot for Vogue ,” says Melbourne-based model Billie ‘Smolsy’ Smolenaers, who travelled to Sydney’s famed Palm Beach for the fashion feature ‘Now wave’, from page 124. Shooting her first-ever story for Vogue for an issue focussed on sustainability, diversity, creativity and innovation was an opportunity Smolenaers says she will never forget. “[It was] so much fun having a shoot with a group of girls, all from different backgrounds and different ethnicities,” she says. “It felt like we were one big family.” WILL DAVIDSON For this issue, celebrated fashion photographer Will Davidson travelled to Western Australia’s beautiful Kimberley region to shoot ‘Life aquatic’ starring Charlee Fraser, from page 104. “The light rises differently in Kuri Bay,” he says of the remote coastal location, where…

2 minutos
vogue editor’s letter

There’s nothing like an anniversary to make you reflect about where you’ve been and where you’re going. Vogue Australia’s recent 60th birthday celebrations did just that. Many of my team had the opportunity to sift through the archives at the New South Wales State Library (which houses a full collection of issues from 1959), and each time they returned to the office wonderstruck by the work of decades past and brimming with ideas about how to push the magazine forward. Which is good timing, because not only are we at the dawn of a new year, but also a new decade. While it has been incredible to reflect upon the amazing and enduring legacy of this brand with our 60th, Vogue Australia has always been about celebrating innovation and driving social…

8 minutos
vive la différence

I MET DAN at university. I was mesmerised by his raw talent as a law student and grew to love his sharp wit and sweet vulnerability. He’d recently come out as a young gay man and seemed unsure of himself. Over that summer I introduced him to my friends, who embraced him. In our little gang, he blossomed into a gorgeous, confident law graduate, later becoming a barrister. After uni I went off to live overseas. When I returned home I was soon back doing karaoke in Dan’s living room. Then one day, after 16 years of friendship, Dan cancelled me. I suppose it was the friendship he cancelled. But it felt so damn personal, so one-sided and so final (he didn’t respond to my initial peace offerings – we never spoke…

3 minutos
fresh start

PURE AND SIMPLE Marlene Dietrich-meets-David Bowie was the point of inspiration from which Ian Griffiths designed the Max Mara resort ’20 collection. A prevalence of white – Griffiths’s shorthand for resort wear – worked to soften structure just enough, readying sharp shapes for more casual settings. INTO THE BLUE Think twice before abandoning suiting for summer. Albus Lumen’s latest iteration, this time in breathable linen, proves that soft tailoring can endure in spite of a seasonal change. For added versatility, consider wearing as separates (slip on shorts instead of trousers; swap out the jacket for a camisole) and keep in the spirit by teaming with flats. CORAL BRIEF Earthy shades like terracotta and ochre pervaded resort collections across the world, and Hermès’s offering was no exception. For resort, the maison expanded its exploration of warm,…

2 minutos
blanc canvas

WHEN MIUCCIA PRADA brought white cotton into the fold for resort ’20, she meant it as more than just a polite breather. “The opposite of pretentious,” she said backstage. “It’s simplicity as a protest against too much.” It was yet another Prada-ism that articulates a sentiment she somehow knows we’re all feeling: at the beginning of a year, we want to strip it all away – the distractions and the fripperies – to find cherishable, enduring clothing. Enter the white dress. Prada’s version had the purity of a girlish smock. Dior’s came out in a beguiling set of four column dresses in porcelain crochet. Gabriela Hearst, Erdem and Zimmermann did signature prairie-meets-Victorian with a holiday ease. Each evinced an all-in-one simplicity with the unassuming air of a breezy clear day. This time…