Содержание выпуска: August 2020 — Space

After measuring their body temperature with a thermal camera, a visitor pumps hand sanitizer into their hands and faithfully documents their name, affiliation, contact information and reasons for their visit. Looks are exchanged above masked faces, heads nod, and the procedures required for entry are complete—that is, unless you are looking to cross borders. For entry into the country, an additional two-week long self-quarantine is required. Gone are the days when it was possible to have breakfast at a restaurant in Japan and work in an office in Korea in the afternoon. ‘New Discovery of Travel’, an exhibition hosted by the Ministry of Culture, Sports and Tourism and overseen by the Korea Crafts & Design Foundation, is currently on show at Culture Station Seoul 284. Comprised of a total of…

The Future School Summer Studio (FSSS), designed to comprise part of the Korean Pavilion Programme at the 17th Venice Biennale International Architecture Exhibition, ran from June 29 to July 24 at KOTE, Insa-dong, Seoul. The Venice Biennale International Architecture Exhibition, which was scheduled to be on show in August, has been postponed to next year in light of the Coronavirus Disease-19 (COVID-19). However, the commissioner of the Korean Pavillion for the art exhibition Shin Haewon (principal, lokaldesign) pressed ahead with the studio programme as planned. The FSSS is designed to help students develop integrated thinking skills and the ability to execute ideas across multiple disciplines. Shin Haewon, Ryul Song & Christian Schweitzer (co-principals, SUPA Schweitzer Song) served as programme coordinators and Yim Dongwoo (professor, Hongik University) and Rafael Luna (professor,…

The project co-designed by THE_ SYSTEM LAB (principal, Kim Chanjoong) and JW Landscape (principal, Lee Yooseob) and Jeong Wookju (professor, Seoul National University) won the International Invited Design Competition for Seo-Seoul Museum of Art. The Seo-Seoul Museum of Art is a new branch of the Seoul Museum of Art, and construction is planned in Geumnarae Central Park. It will function as a hub for the South West region of Seoul where cultural and educational facilities are relatively insufficient, providing a convergence between art and science in education for the younger generation and public exhibition programmes. The Seoul Metropolitan Government (SMG) invited five teams of domestic and foreign architects to participate in the design competition. THE_SYSTEM LAB, ONE O ONE architects (principal, Choi Wook), SKM Architects (principal, Ken Sungjin Min), Jiakun…

Camp Long, Gangwon-do, which was returned from US force in December 2019, was originally planned for redevelopment as a culture and sports park. However, with the instigation of the participatory exhibition ‘CAMP 2020: Contemporary Arts & Mutational Plans’ (hereinafter CAMP 2020), these construction plans have been temporarily postponed. In this report, Chung Isak, a director of CAMP 2020, describes the anticipated impact of the artistic activities set against the background of exhibition planning and a location of profound historical significance. From Waiting to Preparing Under the auspices of the Ministry of National Defense, I visited Camp Long located in Taejang-dong, Wonju-si in Gangwon-do on the 17th of February, 2020. Behind the creaky iron gates, The empty grounds closed off by creaky iron gates reminded me of a desolate off-season beach.…

Hyunjoon Yoo (professor, Hongik University) emphasises the significance of the ‘in-between space’ and the ‘communication between the interior and exterior’. By contradicting the supposed division between the exterior and interior, Yoo pursues a boundary that is flexible and ambiguous. This is to establish a margin between the city and architecture, and each will permeate the other. Yoo experiments with the boundary between the urban and architecture in a variety of different ways across his three most recent projects. In JJJ, Yoo turns the building’s façade into an intermediary realm by appraising the role of the balconies and moving louvers; in The Hug, he explores the theme of openness through an open skin and a diagonal spatial composition; and in Wind Fence, he draws upon distinctive and different approaches to nature…

Seunghan Paek  keywords: the ordinary/everyday, keunseng, Sinchon, Las Vegas, Stanley Cavell, Aron Vinegar, skepticism, community, multiplicity, façade, signage Abstract Seunghan Paek is an assistant professor in the School of Architecture at Catholic Kwandong University in Korea, where he teaches design studios and lectures on architectural history, theory and criticism. His research interests are in urbanism as broadly defined, with particular focus on issues of the everyday, affect, atmosphere, assemblage, new materialisms, the Anthropocene, and critical heritage studies. On Ways of Seeing in the Everyday In this article, I claim that the issue of what constitutes the everyday cannot be resolved in simple terms, because each individual encounters their surrounding environment in a different way entangled with shifting perceptions and emotional responses that exist beyond external influences. The rationale behind such…

The Quay Brothers, who are renowned for stop-motion animations that use puppets, have turned their attention to exposing the dark underbelly of industrial society. Their newest exhibition, ‘Quay Brothers: Welcome to the Dormitorium’ will be on show at the Seoul Arts Center’s Hangaram Art Museum, as a follow-up to their special exhibition hosted by the 21st Jeonju International Film Festival. For this exhibition, Stephen Quay and Timothy Quay are presenting an impressive variety of works which amount to some 100 set models, puppets and illustrations. The Quay Brothers, who founded their studio in England in 1979, make singular animations that adopt a gloomy, dark signature style. Short films such as The Street of Crocodiles (1986) and Day of the Dead (2002) were awarded prizes at several international festivals and catapulted…

‘I think the charm of Seoul lies with the fact that it’s unpredictable. Wherever you go, you can locate traces of the 1940s and 1950s. In a way, it’s a city in which you can discover things indefinitely.’ For Kim Youngjoon (graduate student, University of Tokyo), Seoul is a city bursting with the potential of its unique legacy, one ripe for recording. Kim films historic traces visible throughout the city, from old signboards to pedestrian flyovers, overpasses, and red brick warehouses, or uncovers images from various archives and posts them on his Instagram and Facebook accounts, titled ‘Journey to Modern Seoul’. He shares the memories of people and the city by attaching anecdotes about the space to each image, such as the utility hole cover that depicts ‘Gyeongseong-bu (the old…

There has been a series of announcements related to the multiple winning projects for municipal welfare centres for citizens by local governments. On May 26, Yeoncheon-gun unveiled the winning project for the multi-purpose welfare centre to be built at 225-1 of Chatan-ri, Yeoncheon-eup. The new multi-purpose welfare centre was designed to integrate a children’s welfare centre and Veterans Hall into one building. The building is a one-story basement floor with three floors above ground, and with a total floor area of 2,314.19m2 . The winning project was a design proposal submitted by fig.architects (principal, Lee Juhan). It features a cantilever truss structure at the entrance and exit of the building, and a courtyard wide in its north-south direction. The lower part of the building was separated into a courtyard for…

BARE, led by Jeon Jinhong and Choi Yunhee since its establishment in 2014, has carried out research-installation-projects primarily through the medium of exhibitions. SPACE hears the story behind BARE (Bureau of Architecture, Research & Environment), which proposes a new architectural method that will actually work while raising new questions through research and installation rather than through display as construction or representation of physical buildings in our rapidly changing times. Park Semi (Park): When I looked through the list of BARE’s projects, I observed how different your projects are in terms of type, method, and orientation from those of other architectural firms. Over the course of about 20 exhibitions and research projects in the seven years since BARE’s establishment in 2014, you have produced architectural meaning, blurring the boundaries between buildings…

In-between Space Created by Substantial Rainfall Due to seasonal winds, the eastern area of the Eurasian continent experiences frequent heavy rainfall and a significant level of precipitation throughout the year. In contrast, the west receives less than 1,000mm of rain per year. This disparity in rainfall prompted different architectural methods and approaches between the two areas. Since the first Mesopotamian civilisation, western civilisations chose to build buildings by constructing walls, whereas eastern civilisations faced difficulties when employing heavy walls in construction as the terrain would become soft and unstable during the rainy season. This eventually led to those in the east to select lightweight materials such as wood in construction. In the west, large windows were typically not used because large windows tended to make the buildings susceptible to collapse.…

Shenzhen, a small fishing village in China, designated as a Special Economic Zone in 1980, has since grown into a metropolis with a population of 12 million. With this city fast surpassing growth throughout the state, NODE Architecture & Urbanism here attempts to revive the memories of the past through projects that intervene in public spaces. Lee Sungje (Lee): KU Landscape was a project carried out as part of the 2019 UABB (2019 Bi-City Biennale of Urbanism/ Architecture). We would like to hear more about the background to the project. Liu Heng (Liu): KU landscape is one part of the Bao’an sub-venue at 2019 UABB, and we received the invitation at the beginning of May 2019. The organiser and the curator did not specify on which part of the design…

Black and white ID photos of student protestors line the walls, as the room reverberates with the cries of surviving families and friends. The portraits are from Noh Suntag’s Forgetting Machines (2006-2020) – which memoralises the participants in the 5·18 Democratisation Movement who were identified 22 years after their deaths – and Jurgen Hinzpeter’s Sudkorea am Scheideweg (1980), a documentary that recalls the violent manner in which the protests were countered. They are part of Art Sonje Center’s exhibition ‘Spring of Democracy’, which was held from June 3 to July 5 and reflected upon the Movement on its 40th anniversary. The German curator Ute Meta Bauer, who organised this event, explained that she wanted to ‘examine democracy as an ongoing experiment, rather than an ossified institution’. Upon reaching the third…

On July 24, the Ministry of Culture, Sports and Tourism announced the winners of the 2020 Young Architects Award: B.U.S Architecture (co-principals, Woo Seungjin, Park Jihyun, Cho Seonghak), On Architects (principal, Jung Woongsik), and JIYO Architects (principal, Kim Sejin). The winners of the competition were decided through a two-step screening process by the judging committee. 7 of the 45 applicants passed the primary screening, after which a presentation and question and answer session was conducted as part of the secondary evaluation. The second screening was held on July 8 at Culture Space Seoul 284. In addition to the presentations of the three teams, Yong Ju Lee Architecture (principal, Lee Yongju), eSou architects (principal, Kim Hyunsu), Atelier Jun (principal, You Junsang), and Simplex Architecture (co-principals, Song Sanghun, Park Chungwhan) all presented…

Dongsimwon Landscape Design & Construction Co.’s ‘Wonderful Land’ (principal, Ahn Gyedong) was awarded the first prize in the Competition for the Natural Swimming Pool at Jamsil Hangang Park. The Seoul Metropolitan Government plans to renovate the swimming pool facilities in Jamsil Han River Park, originally built in 1990, to create a waterpark that can be used in all seasons, and to restore the Han River and surrounding natural landscape with due consideration of local ecology and urban regeneration. Dongsimwon Landscape Design & Construction Co. established four major strategies: thickening the site boundary with natural elements, introducing seasonal programmes, adjusting the overall topography to devise a natural connection with the Han River, and planting sensitive to the regional context. The jury board praised the profound understanding of the winning design, with…

The opening event of the ‘Sewoon Global Forum 2020: Local-Recall’ was streamed live over the internet on the 18th of June, 8pm KST. Experts from Korea and abroad who attended the forum last year assembled again to discuss the challenges facing their city, a metropolis experiencing a great many sudden changes, in order to address the new challenges facing urban manufacturing. The ‘Sewoon Colloquium’, an event hosted last year on the Sewoon Campus of University of Seoul to explore the current status, potential and future of urban manufacturing, was held this year under the new title ‘Local-Recall’ in the form of a global online forum. The colloquium held in 2019 addressed the complex and dynamic issues emerging from industrial technology, local communities, urban planning and policy and the preservation of…

In the Seorisan Mountain in Gapyeong, where chestnut trees are dense, the Glam Tree Resort opened in March of this year. Constructed on a slope, it has been built according to a membrane structure, housing 18 glamping pavilions and a welcome centre which takes up a 12,844m2 . This is the fourth Glamping Pavilion Project designed by ArchiWorkshop who are the pioneers in domestic glamping architecture. From the planning of the project to the design process, the architects not only transformed the leisure facilities into cultural spaces but also extended the scope of leisure architecture. Here they share their story with us. Glamping: A Pioneering New Field The camping boom, which began in 2013, has changed our lives. The number of people who hit the road at weekends headed for…

JJJ: In-between Space as Cladding Hyunjoon Yoo is an influential architect and writer already familiar to us for his insightful interpretations of cities and architecture in his books What Cities Live By (2015) and Where Do You Want To Live (2018). He analyses architecture and cities from a keen and creative perspective, connecting this analysis to wider social problems and presenting architectural and urban solutions to these problems. Of the many propositions raised in his books, his most well-known is the critical statement that ‘school is a prison’. In the architectural space, he searches for the reasons behind standardised thinking, difference, and unaccommodating social atmospheres. In his recent book Space Created by Space (2020), he analyses architecture using a cultural anthropological approach. This is very similar to the methods of…

Since 2005, flat.m has created spaces of varying genres and scales, from those serving food and beverages, fashion, lifestyle, bookstore, and studios: Café Sukkara, ALAND, Workroom Press, ZERO COMPLEX, Rooming, WIE EIN KINO, LiFE BOOKS, Maison KittyBunnyPony, the Kang Soo Yeon Studio, among others. SPACE contemplates the spaces and experiences of the two designers behind flat.m, Sun Jeonghyun and Jo Gyuyub, who are actively presenting spatial design through furniture installation. Park Semi (Park): Flat.m’s portfolio, stretching over 16 years of work, coincides with the period in which commercial spaces have been on the increase, from the early 2000s, and so define themselves through their ability to achieve spaces that explore identity. It is a career that appears to have overcome many challenges. Sun Jeonghyun (Sun): We have grown and undergone…