• Art & Architecture
  • Boating & Aviation
  • Business & Finance
  • Cars & Motorcycles
  • Celebrity & Gossip
  • Comics & Manga
  • Crafts
  • Culture & Literature
  • Family & Parenting
  • Fashion
  • Food & Wine
  • Health & Fitness
  • Home & Garden
  • Hunting & Fishing
  • Kids & Teens
  • Luxury
  • Men's Lifestyle
  • Movies, TV & Music
  • News & Politics
  • Photography
  • Science
  • Sports
  • Tech & Gaming
  • Travel & Outdoor
  • Women's Lifestyle
  • Adult
 / Home & Garden
Homes & Gardens

Homes & Gardens

February 2020

Published by Time Inc. (UK) Ltd Homes & Gardens celebrates the beauty of classic and contemporary style. Real-life homes with stunning photography deliver inspirational decorating while remaining real and relevant. Homes & Gardens is the ultimate sourcebook of beautiful ideas and detailed information, inspiring its readers to become their own interior designers.

United Kingdom
Read More
12 Issues


1 min.

In this issue we turn the spotlight on savvy style. It’s the first time in H&G history that we’ve done a special on beauty within budget. Rather than looking to suggest shortcuts or knock-offs, the focus is on innovative ideas, best-value designs and space-maximising solutions. I love the house by designers Gunter & Co (page 32). It shows how to achieve maximum impact with a small footprint. And I learnt a lot from our ‘Bright Ideas’ feature, for which we asked industry luminaries for their budget-stretching secrets (page 26). Also woven throughout this issue is an interest in sustainability. Most notably, we launch our new columnist, designer Sebastian Cox (page 30). In ‘The Sustainable Life’ he will chart a year working consciously to create beautiful furniture. Sebastian is a champion of…

2 min.
homes & gardens

EDITORIAL ENQUIRIES Editorial Director Sarah Spiteri Executive Editors Kate French and Pip McCormac Group Creative Director Emma Williams Acting Group Chief Sub-Editor Jennifer Spaeth Commercial Editorial Operations Director Jane Akers Homes Content Team Editorial Director Rhoda Parry Houses Editor Vivienne Ayers Interiors Editor Emma Thomas Associate Editor Busola Evans News & Shopping Editor Laura Vinden Acting News & Shopping Editor Jo Bailey News & Features Editor Thea Babington-Stitt Travel & News Editor Patrick Hamilton Courtney Homes Content Shoot Co-ordinator Areesha Richards Head of Art Operations Alison Walter Art Editor Meredith Davies Senior Designer Elizabeth Jones Head of Subs Operations Maxine Clarke Acting Hub Chief Sub-Editor Catherine Law Senior Sub-Editors Marian McNamara and Karen Wiley Editorial Production Manager Nicola Tillman Deputy Editorial Production Manager Clare Willetts Art Production Designers Chris Saggers and Phil Dunk Group Production Manager Stephen Twort Production Controller Victoria Ling Advertisement Copy and Make-up Barry Skinner DIGITAL Digital Content Director Holly Boultwood Acting Digital Content Director Stephanie…

4 min.

SMALL PRINT A contemporary collection of seven charming and timeless designs has, for the first time, been printed on to Romo’s 100% cotton plain Dune fabric to create the Sarouk collection. Delightful designs are presented in a modern palette of warm ochres, dusky pinks, cool blues and fresh greens. The statement geometric shown on the sofa is Escher Multi in Lovage, £45m, Romo. BRIGHT SPARK When Emer Gillespie, founder of Brighton-based lighting brand Spark & Bell, was renovating her home she noticed a gap in the market for affordable, design-led lighting. Her light-bulb moment led her to source the parts and build her own lighting – and this developed into a beautifully curated online shop. This Flexi Neck Swing lamp is £164. HARDWARE FIX Working from a picturesque cottage office in Wiltshire, Corston Architectural Detail’s…

4 min.
bright ideas

‘We often source and collaborate with Studio27 (above), One Brick Lane and The Restoration. All three specialise in upscaling mid-century pieces to add warmth, colour and individuality while respecting the design and watching the budget.’ CAZ MYERS , cazmyers.com ‘A simple trick is a cloth-covered table – be it a console, centre or side table. This can be a traditional treatment with a generous bullion fringe around the bottom or more modern, with a pleated or graphic fabric. A long cover is also really useful for hiding things behind.’ NICOLE SALVESEN , salvesengraham.com ‘When shopping for projects, consider buying internationally rather than limiting yourself to the UK market. Try looking in the US for furniture, the Netherlands for amazing tapware and Germany for appliances.’ IRENE GUNTER , gunterandco.com ‘FOR AFFORDABLE YET INSPIRING FABRICS, I RECOMMEND THE…

3 min.
the sustainable life

It’s that time of year when our workshop and our woodland begin to meet again. As the ground firms up but before bluebells and orchids show their tips, we extract the timber we’ve harvested over the winter and take it back to London to machine cut and dry it ready to be made into furniture. This year has seen a good haul: hornbeam, hazel, birch, chestnut and ash, all no older than 18 years, cut close to the ground from ‘stools’ or root systems that have been throwing up strong, straight, workable young branches for woodmen like me for centuries. This is known as coppicing. Our five-acre ancient woodland in Kent is divided by two banks with adjacent ditches and hornbeam pollards, indicating this remarkable cycle has happened here since Norman times; I’m…

5 min.
character study

Top of interior architect Irene Gunter’s list of dream ingredients for a project are high ceilings and beautiful windows – neither of which this small property in London’s Belgravia possessed. But she is not one to shy away from a challenge: ‘When you are compromised in both those departments, it makes your mind work harder to come up with more creative solutions,’ she says. This house was certainly going to put Irene’s ingenuity to the test. When she first visited, water was pouring through the roof right to the basement, where the living and sleeping quarters were laid out in ‘such a whirlwind of interconnecting rooms that it was almost impossible to make sense of it’. The ground floor, which now accommodates the kitchen and living area, was ‘a weird, ginormous…