Almodóvar confronts Spain’s past, in the moving ‘Parallel Mothers’
Michael O'Sullivan The geometry of film-maker Pedro Almodóvar's masterful, moving Parallel Mothers, which follows the stories of two women who give birth almost simultaneously in a Madrid hospital, is really a criss-crossing set of two fascinatingly entangled lines. There’s one superficial similarity between the main characters: both are unwed mothers. But Janis (Penélope Cruz) is a successful magazine photographer in her late thirties, made pregnant by Arturo (Israel Elejalde), a handsome, married forensic anthropologist she’s shooting for an article. And Ana (Milena Smit) is a slightly clueless teenager, still living with her well-off actress mom (Aitana Sánchez-Gijón), and pregnant after a gang rape. Named after the singer Janis Joplin (who, like Janis’s own mother, died of an overdose at 27), Janis was raised in a small rural village by her…